Planium: Metal in interior design

Many times metal has been the protagonist in the history of art and architecture for the contribution it provides in external devices. Today, however, metal is present more and more frequently in interior design. Furnishing with metal means spreading a sense of minimalism, of design reduced to the essential, which also gives a perception of rigor to the whole. Metal is eternal, its maintenance is minimal and - very important - can be recycled.

 

Planium


Depending on the treatment that Planium reserves for it, metal can have a different brightness and materiality, with a direct effect obviously on the aesthetics ... the brushed metal, for example, has a more shiny character than the satin which, however, is more sophisticated to the touch and sight because it alternates light and dark, shadow and light. And this can also be true for steel, be it stainless steel or oxidized, for the iridescent copper and for its alloys obtained with tin or zinc, that is the "gilded" bronze and brass ...

Installing with Planium is a matter of speed, but also of reversibility: with dry laying, alternatives to traditional models, the brand invests in environmental sustainability, avoiding the use of glues and silicones. In different ways, the following are proposed: the support laying of AP01 Lay Floor - the fastest ever - the one-click laying of PL01 Invisible, the "mechanics" of SM02 Evolution with visible angular screws or finally the always practical and magnetic MG01 Magnetic Floor.

Partners news

Win Your Design with Horm

Horm presents WIN YOUR DESIGN, a contest for architects and interior designer who are asked to submit by December 20, 2021 an interior design project (real or conceptual) of a residential or commercial environment.


The brand is offering a shopping voucher worth € 30,000 (excluding VAT) to be used for the purchase of its products,
The projects will be evaluated by a jury of experts in architecture and interior design composed by

  • Fabio Novembre
  • Roberto Palomba
  • Karim Rashid

 

The decision to hold this competition represents an opportunity not only for designers but also for Horm, a brand curious to explore the visions of new environments created by architects and interior designers from around the world. 


The artistic direction of the brand wants to identify talents, enrich the dimension of the product and collaborate with a community whose creativity has always been a source of inspiration in creating new harmonies of living.


To start designing immediately, the price list and CAD files of the products are available on the dedicated website https://winyourdesign.horm.it/.


Designers can enter the competition by sending a ZIP file through the form in the "upload" section of the Win Your Design website, also attaching a brief explanation of the concept and functional choices. In addition to the graphics, the zip file must also contain the list of Horm products used in the project and their relative cost.


The deadline for entering the contest is December 20, 2021.

 

The brand
HORM offers a “contemporary design” style where mediterranean, japanese, scandinavian and North American influences cohabit, as reinterpreted through the culture, passion and craftmanship of Made in Italy.
The collection is addressed to the Residential market, but undoubtedly extendible to Soft Contract. It is dedicated to an adult, educated and conscious audience, looking for and exclusive and refined marking for its ambiances, matching functionality, harmony in shape and fine materials.

Discover more
 

The three Azerbaijan’s biospheres

The Azerbaijan Pavilion for Expo 2015 has three big spheres guarded by wavy wooden walls: they are metaphors of biospheres and wind. The three large balls are environmentally sustainable and they represent the union between architecture, interactivity, art and technology signed by Simmetrico Italian team. EXPO_2015The Pavilion, named "Azerbaijan, treasure of biodiversity", was presented in Milan by Anar Alakbarov, leader of Azerbaijan delegation to Expo and director of Heydar Aliyev Center, Stefano Acbano, manager of Europa, Americhe, Relazioni Bie, and Relations of the Division participating in World Expo 2015, and Daniel Zambelli, leader of the network of designers and creatives. Padiglione Azerbaijan The structure was designed to give special attention to the environment and the natural heritage of Azerbaijan, which is considered one of the 25 major biodiversity hub in the world. The building was built according to the criteria of optimization of bio-architectural quality, using technologies and energy-efficient and 100% recyclable materials. For example the louver – the "skin" of the wavy wooden slats of the pavilion – protects the microclimate of the structure, by lowering energy consumption. All materials and spaces are designed to make it functional and adaptable over time. At the end of the Expo, the Pavilion will be dismantled and moved to Baku, where it will become the centre dedicated to biodiversity of Azerbaijan. Modellino padiglione AzerbaijanWhile making the tour in Azerbaijan Pavilion, visitors will be accompanied from interactive multimedia installations and from videos designed to discover the identity and spirit of the country. The Azerbaijan Pavilion consists of three glass biospheres with double curve which represent the protection given to life, development and protection of diversity. The wooden skin, on the longer sides of the Pavilion, represents the wind which wraps around the country and cultural streams that cross it. In the first biosphere the visitor can discover Azerbaijan, its history and traditions, and he can see the most significant historical and natural views of the country, thanks to a video installation. The second biosphere is dedicated to biodiversity. Here the visitor can find an installation reproducing a huge pomegranate fruit tree, symbol of the nation and its richness in terms of natural and anthropological variety. Biosfera Azerbaijan In the third the biosphere the visitor can see an inverted tree, whose function is to translate the metaphor of the relationship between innovation and tradition in Azerbaijan, a summary of the roots which feed the future and move from the treasures to the works of craft and culture. The lower part of the tree encloses the visitor in foliage and in the spirit of renewal that is shown by three big screens through which you can "explore" Baku, capital of Azerbaijan and symbol of new emerging countries. Anar Alakbarov said that the privilege of Azerbaijan is to be, for centuries, a geographical and symbolic meeting point between East and West. The country is also a marvelous biodiversity "hotspots" and it offers an unexpected wealth of landscapes, flora and fauna. The country is also a historical and cultural crossroads where peoples and religions have left a deep and living testimony of their presence. Awareness of Azerbaijan came from here and raised, and now it is able to consolidate one of the most rapid economic developments in the world: large investments in innovation and infrastructure and an attention to international relations, as the strategic, commercial and cultural partnership with Italy evidence. Azerbaijan participates in the protection of works of the Italian cultural heritage. Interno di una biosferaAzerbaijan is taking part in Expo for the first time with a Self-Built Pavilion: it will be one of the most interesting attractions, thanks to its technical and architectural complexity. The project is focused on biodiversity, respect of the environment and intelligent use of resources. These are the topics that will be covered for Expo 2015 during the six months of exposure and that will let Azerbaijan offer a valid contribution to the global debate on the future of food.

 

Marco Mignatti 

Green building

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

Un grande progetto di Rainbow per esaltare i valori del Made in Italy

in collaborazione con CILAB - POLITECNICO DI MILANO

Via Giuseppe Candiani, 72 (Zona Bovisa)

Inaugurazione martedì 10 aprile, dalle 17.00

Dal mercoledì al sabato, dalle 09.00 alle 20.00

Il design incontra il mondo della magia con le Winx: le fatine più trendy dell’universo, fiore all’occhiello di Rainbow e del Made in Italy, sbarcano alla Milano Design Week 2019 grazie al progetto “WINX LIFESTYLE MAGIC AND DESIGN”, frutto della prestigiosa collaborazione tra la global content company di Iginio Straffi e CILAB - Creative Industries Lab del Dipartimento di Design del Politecnico di Milano.

L’ambizioso progetto, che si colloca all’interno delle celebrazioni del 15esimo anniversario di Winx Club, ha coinvolto gli studenti che hanno analizzato le personalità, stile e i tratti distintivi di ognuna delle sei eroine, reinterpretandoli in veri e propri concept di lifestyle, innovativi e ricchi di magia.

I sei progetti, presentati alla Design Week di Milano, sono veri e propri spazi espositivi emozionali ispirati al mondo delle fatine raccontati attraverso arredi, complementi e grafiche uniche che saranno in grado di far immergere il visitatore nell’universo Winx, un’icona classica dalle applicazioni potenzialmente infinite.

Al progetto hanno partecipato 60 studenti del Laboratorio di Sintesi Finale del corso di Laurea Triennale in Design del Prodotto Industriale che, supportati dai docenti, hanno sviluppato delle proposte secondo un brief definito da Rainbow e CILAB. Gli studenti con le migliori proposte sono stati poi affiancati da un panel selezionato di aziende italiane con cui hanno finalizzato i progetti e realizzato i prototipi tenendo in considerazione materiali, tecnologie e categorie merceologiche di ognuna. Lo stretto rapporto di collaborazione tra il CILAB e le aziende coinvolte (CMC2.0, Piva Group, WallPepper®, Mosaico Digitale®, EDG Enzo De Gasperi, FCA SNC, LC Forniture Industriali, Grifal SpA, On Light PF, Specchiopiuma, Kose & ISI Milano, TaborGlit), esponenti di punta nei loro settori di riferimento, ha permesso ai giovani progettisti di confrontarsi e maturare professionalmente in una attività di formazione sul campo unica nel suo genere, e ha consentito alle aziende di mettersi in gioco in un progetto innovativo nel quale valorizzare le proprie potenzialità.

L’evento di inaugurazione avrà luogo all’interno del campus Bovisa del Politecnico di Milano il 10 Aprile, e l’allestimento esposto sarà visitabile per tutta la durata della Milano Design Week 2019, dal 9 al 14 aprile. Parallelamente all’esposizione, Rainbow e CILAB coordineranno incontri, tavole rotonde, speech e altre iniziative con lo scopo di raccontare i valori di successo del Made in Italy delle aziende coinvolte.

Le Winx sono una realtà di portata mondiale costituita da traguardi tutti italiani. Bloom, Stella, Flora, Musa, Tecna e Aisha continuano ad essere fonte d’ispirazione di storie e prodotti sempre inediti, e “WINX LIFESTYLE MAGIC AND DESIGN” è il nuovo progetto che vede le nostre fatine protagoniste indiscusse di questo 2019.

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEK winx

 IL MONDO DELLE WINX VOLA ALLA DESIGN WEEKIL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

 

​​​​winxIL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

winxwinx

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEKIL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEKIL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

Aziende Partner del progetto:

CMC2.0, con i suoi sistemi costruttivi in cemento, a monoblocchi o a pareti, ma comunque su misura e idonei per essere collocati “ovunque nel paesaggio”, ha convinto le Winx: non hanno sentito il bisogno di ricorrere alla magia per la realizzazione delle proprie case!

Piva Group, grazie ai suoi serramenti ha reso i monoblocchi vetrine espositive permettendo ai visitatori di proiettarsi all’interno degli allestimenti e di goderne i dettagli.

WallPepper®, mettendo a disposizione le proprie carte da parati ha permesso ai designer di personalizzare interni ed esterni degli allestimenti e di sperimentare le capacità tecniche ed estetiche dei loro prodotti.

Mosaico Digitale®, attraverso l’uso di innovative tecnologie e materiali ha contribuito nel rendere magici e interattivi gli spazi, stimolando i giovani progettisti a reinterpretare il mosaico.

EDG Enzo De Gasperi, con le sue decorazioni floreali ha permesso poi di aggiungere un tocco di natura e di realismo agli ambienti.

FCA SNC, mettendo a disposizione il proprio know how e le proprie tecnologie ha guidato i designer nella finalizzazione degli arredi in legno e nella loro prototipazione.

LC Forniture Industriali, grazie all’approfondita conoscenza dei materiali nel settore design, ha reso possibile la realizzazione di arredi, complementi, lampade e accessori in plexiglass, oltre che oggetti in spugna tecnica ad alta densità e pavimentazione a specchio in composito alluminio e pvc.

Grifal SpA, ha trasferito ai designer la propria vision di un nuovo cartone ondulato – a marchio cArtù –  reinventato rispetto al suo classico utilizzo, portandoli a progettare librerie, sedute ed elementi di arredo inaspettati.

On Light PF, ha aiutato i designer nella realizzazione dell’illuminazione e degli effetti “magici” di luce all’interno degli spazi, mettendo a disposizione le loro più avanzate tecnologie.

Specchiopiuma, con i suoi sistemi flessibili e modulari per la realizzazione di superfici riflettenti ha potuto creare effetti ottici e di profondità negli spazi.

Kose & ISI Milano, hanno messo a disposizione le loro opere e i complementi di arredo in porcellana donando agli allestimenti l’aspetto di ambienti vivi.

E infine TaborGlit, che con la sua materia prima rappresenta a pieno l’anima della serie animata fornendo un effetto magico e indistinguibile agli allestimenti.

winx

 

IL MONDO DELLE WINX VOLA ALLA DESIGN WEEK

 

New eco-friendly home signed by Italcementi

10 January 2019

Italcementi Group alongside Mario Cucinella will be technical partner to build a 100 sqm house with just 100,000 euro, by using the finest materials and the most advanced eco-sustainable techniques. The new building, designed by the architect from Bologna as a sustainable architecture, evidence that Italcementi Group keeps caring about research and innovation. The Centre's technical research and Innovation Group is working in close collaboration with the Studio Cucinella to develop building materials, techniques for thermal and acoustic insulation and industrialization processes for reducing the costs of construction of the eco-home. The non-standardized prefabrication, with light structural elements and mobile equipment, makes it possible to diversify the look both outside and inside.

Carlo Bardelli

Green building

The Shades of Gray for Planium Metals

It has become customary to attribute the value of its many qualities to a color that has been somewhat ignored for some time. Think of Gray above all for its many chromatic variations, since it has an enviable transversality in hues. This, obtained by mixing Black and White, is for Planium a declination linked to Steel, the metal mainly worked by the brand: Stainless Steel, Stainless Concrete, Embossed Steel, Oxidized Steel, Calamine Steel. The nuances that can be achieved depending on the material are important, and even the shades change as this changes.


How to lay Gray Metallic Finishes with Innovative Systems
What are the methods to be able to lay these metallic textures, letting oneself be convinced by the subtlety of the grays? Planium has designed innovative dry laying systems for floor installations: with magnetic coupling, MG01 Magnetic Floor; AP01 Lay Floor with lay-on installation; PL01 Invisible Floor with One-click installation; SM02 Evolution Floor, mechanical with visible angle screws that guarantee a “workshop” stylistic effect that further enhances the chromatism. Systems that guarantee significant savings in time, energy and money as they are suitable for quick installation and removal even for exhibition stands, temporary installations or spaces where you want to periodically and easily renew the environment. To complete the offer, there are traditional glue systems for fixing to the floor and wall, AC01 Stick-on Floor and AC02 Stick-on Wall.

 

Planium textures

 

Planium for the Agostini Museum

14th January 2020

 

Location: Museo Giacomo Agostini

Project: Giavarini Studio - Architettura e Design

Floor, fais celing, wall paneling and 3D logo: Planium Srl

Photos: Giacomo Albo

 

Planium Srl has contributed to the realization of this historic place by making three particular structural ideas concrete: the floor, the false ceiling, the boiserie and the word “AGO”, nom de guerre of the most successful rider of all time.

"Motorcycles were born in a workshop and therefore we conceived the contents of the Museum, of mechanics and not, enclosed as if it were in a Cartier box." Thus Giacomo Agostini, who inaugurated his personal Museum in Bergamo in December 2019, explains how the structural idea of this Trophy Hall was designed together with the Giavarini Studio - Architectura e Design.

"Metal" - says Architect Giavarini, "is extremely versatile. As you can see by observing the room, it has been used in numerous ways and covers practically all visible surfaces. ”Stainless Concrete, the Planium finish chosen for the floor, was laid using the MG01 Magnetic system ; this steel is characterized by a particular texture that refers color to the cement, from which it takes its name.

MG01 Magnetic System
MG01 Floor

 

The design core of the whole lies in the evocation of an "industrial style", that recalls the motorcycle environment, and therefore with the floor in the same way this process was followed with regard to the choice of the false ceiling, made by Planium with the use of perforated sheet for aesthetic purposes. "The idea", continues architect Giavarini, "was to make a formal and rigorous trophy hall coexist with an environment that recalled the world of racing of the past, similar to a workshop, where interventions on motorcycles were much more direct than today, after the arrival of electronics. "

The walls of the exhibition hall are characterized by the equipped boiseries that cover the entire perimeter of the museum, created always after a drawing by Studio Giavarini in collaboration with Falegnameria F.lli Gotti. The Planium design area was responsible for creating the aesthetic finish and reinforcement brackets, while Falegnameria has created the internal core of the panels. The galvanized steel paneling has been shaped, cut and folded so as to create a sort of "sandwich" with the core and the brackets and then liquid red painted.

Regarding the word “AGO”, placed in the center of the Trophies Hall, it is made up of aluminum letters, cut with bent laser fiber and then liquid painted to obtain a bright red color, which matches the chromatic details of the bikes in the museum and the wall paneling.

Planium for the Agostini Museum
3D logo: AGO

Marco Mignatti

Architecture

Land Art in Paris. The glass behind a wooden enclosure

30 November 2018

The nature converses with the city. The French architect Stephane Malka, a former graffiti artist and author, presented the project of a restaurant with an interesting exterior in Paris. A wooden casing protects glass structure: a meeting of different materials to represent the relationship with nature. EP7 restaurant stephane malka"The restaurant EP7 evokes the myth, represents the return to an original architecture, reminiscent of a mountain, a forest, a summons. It represents the desire to reconnect with our roots, creating a more harmonious relationship with nature" the artist explains. An urban art, or Land Art, project, Stephane Malka summarizes. EP7 restaurant stephane malkaThe raw wood becomes the bark that, with irregular profiles, covers, almost to dominate, the building. The latter was achieved with large transparent glass that are seen in a trunk and the other up to dominate on the main façade. The vegetation also characterizes the exterior of the building: flowers, trees and plants grow on vertical walls. EP7 restaurant stephane malkaThe restaurant is on three levels, the interior is free of invasive architectural elements; the setting is white, the transparency and natural light dominate. These are choices that enhance the wood bark dominating up penetrate the perimeter of the building. EP7 restaurant stephane malkaAn architecture that wants to be a provocation, both hybrid construction and artwork. www.stephanemalka.com

Carlo Bardelli

Materials

Grosso Legnoarchitettura supports the America Pavilion at the Biennale Architecture of Venice

Venice, April 22, 2021. At the 17th International Architecture Exhibition in Venice, Grosso Legnoarchitettura supports a work in the America Pavilion of the 2021 Biennale that explores the typical wooden construction system of American buildings. The Italian company, which has been a specialist in woodworking since 1968, was chosen by the architects and curators of the exhibition Paul Preissner and Paul Andersen for its expertise and experience in the creation of special custom-made wooden constructions. "A perfect synthesis of the company's values ​​- explains Stefano Grosso, CEO of Grosso Legnoarchitettura - which are summarized in our constant support for the passion for wood, for special constructions, creativity and research in absolute quality and taste. . We are honored to be able to contribute to the realization of this architectural work and to be able to bring to the field our skills and the Italian construction technology that allowed the construction site to proceed quickly, orderly and precisely thanks to the executive design and the pre-cutting performed at our factories ". Paul Preissner and Paul Andersen are the two architects who, after winning the open call for the pavilion with this idea, oversaw the project and commissioned the various builders, including Grosso Legnoarchitettura, to create the architectural work. In designing the USA pavilion, the two wanted to give wood the leading role. Visitors will enter the exhibition space through an installation that reproduces the structure of the wood frame house. With a development of three floors, leaning against the facade of the pavilion, the work in turn serves as an exhibition space. Inside, visitors will be able to move between the different levels, observing the rough skeleton, touching the lamellar beams and breathing in the smell of wood. "In the realization of this work - says Stefano Grosso - the curators of the exhibition wanted to give importance, in great style, to a construction method that has always been known in America and that in Europe has only recently developed thanks to the passion that we Italian builders of wooden houses and structures have always had: determination and entrepreneurial vision have pushed us over the years to adapt to the evolution of modern construction, grow, renew ourselves and make sure that wood becomes an increasingly appreciated and used material in construction ".

Click here to download our cad and bim files

Sliding House, the wooden house suspended on the coast

16 February 2019

In Canada, Upper Kingsburg, in an old village near Halifax, the Sliding House is a vacation home designed as an elementary box, carved and hollowed by incisions that alter its symmetry, with effects of instability and false dynamism. A construction related to the barns of this segment of Canadian coast, a structure that seems to slide toward the sea while, at the same time, penetrating the terrain, expressing a sense of belonging to the primitive landscape of Nova Scotia. The house rests on the ground like a ship on the sea, a bit sunken, a bit suspended, as if waiting for another wave to push it toward the sea that is waiting there, less than 500 meters away. The house is about to set sail: the line of the roof runs parallel to the slope of the land, and the visual effect is that the house seems to be sliding toward the ocean. The slope of the roof underlines that of the hill, which is actually just 6 degrees. Proudly facing the sea, the western facade of the house has an ambiguous expression, like a face in a curious asymmetrical sneer. The horizontal eye above it is a simple loggia, with a nautical look, entirely in wood, like all the interiors of the house. “Louis Kahn”, Brian MacKay-Lyons reminds us, “thought a building should not have more than two materials, of which one would be glass”, and this superb house has been conceived in that spirit of simplicity that is so deeply rooted in American modernism; a spirit found in the architecture of Kahn, but also the art of Sol LeWitt and the music of John Cage, who were both students at the Nova Scotia College of Art and Design University. The Sliding House is an elementary monument, a construction related to the rural edifices of the zone. It is the result of an encounter between David Peters and Rhonda Rubinstein, a creative couple with a young son, Dashel, and Brian MacKay-Lyons, a talented architect and part of a family with centuries-old roots in the Halifax region. Seven years ago the couple decided to build a summer home in Canada, and Peters turned to Brian MacKay-Lyons, whom he had known for thirty years and for whom he worked as a graphic artist and website designer. David and Rhonda purchased a lot from the architect in Upper Kingsburg, an old village (founded in 1750) near Halifax, where MacKay-Lyons owns about 20 hectares of land on which he has built 12 houses over the course of 25 years. The couple wanted a quick and relatively economical project, for a vacation home of about 150 sq meters, and MacKay- Lyons, with partner Talbot Sweetapple, imagined a parallelepiped cut and hollowed by incisions that alter its symmetry and generate an effect of instability, suggesting false movement. On the northern side the house protects itself from the cold wind with its thickness, a large air chamber containing the staircase, the bathrooms and the kitchen with fireplace. On the opposite side, to the south, a ribbon window opens to the sunlight and the view of the meadows and the ocean, in a sheltered, welcoming summer habitat, a panoramic promenade that terminates, on both the short sides, in loggias facing the landscape. The south side of the house

The structure is in wood, the external walls entirely covered with a continuous skin of corrugated sheet metal, a cold industrial material that forms a contrast with the warm poplar interiors. Exterior and interior design of the house

The hundreds of slats of poplar, with tones varying from red to blanched, generate an intense pattern with optical effects in the hypnotic uniformity of the floors, walls and ceilings.  

Edoardo Croci

Architecture