"A frame", a temporary church after the earthquake

10/10/2018

The Paper Cathedral has been inaugurated, the church made of cardboard and designed in Christchurch, New Zealand. Cattedrale di Cartone

The designer is Shigeru Ban, Japanese, known worldwide and called "the paper architect". He is famous for his innovative projects, made with cardboard tubes that become pillars, beams, wall. Houses, museums, lightweight and sustainable buildings, strong and durable collection. When he plans design, he works with natural glues, recycled paper around aluminum tubes; once dried, the paper slips off pipe and columns are treated with wax to be waterproofed. Ecofriendly design style, and fast too.

Cattedrale in cartone_slide show

A new way of designing, increasingly sought emergency areas. Ban has made economic and rapid housing for earthquake victims in Kobe. Almost twenty years later, the Japanese architect has designed in New Zealand, a cardboard temporary church, replacing the damaged safe.

Cattedrale in cartone_4  

www.shigerubanarchitects.com  

Marco Mignatti

Green building

POLIGONI, la collezione che riprende in chiave moderna l’arte palladiana.

27 febbraio 2020

POLIGONI, la collezione che riprende in chiave moderna l’arte palladiana.

 Design: FM Studio

La trama creata dalle tessere del mosaico si interseca con quella della fuga in una rete senza soluzione di continuità.
In POLIGONI la modularità della texture trasforma il concetto tradizionale e antico dell’arte palladiana, definito dall’irregolarità della forma. I tozzetti, uno differente dall’altro, si muovono e si accostano occupando in modo tutt’altro che casuale il proprio posto nella matrice. 

Lo stesso disegno si presenta in 3 diverse scale: dalla maggiore per enfatizzare l’ordito creato dai poligoni o dalla fuga fino alla dimensione minore, dove i tozzetti diventano quasi tessere creando un effetto materico originale anche in spazi limitati. Ogni modulo risponde ad un’ampia gamma di gusti stilistici e di soluzioni di rivestimento sia interno che esterno.

La collezione è caratterizzata dal materiale, la pietra, che carico di simboli e di tradizione, è forte e capace di dare nuova vita all’ambiente grazie al lavoro e all’immaginazione dell’uomo.
Nella versione total back in Nero Marquina viene esaltata l’eleganza del motivo, rendendolo discreto ma allo stesso tempo di impatto grazie alle fughe chiare che creano contrasto.

Nero Marquina - Poligoni Friul Mosaic
Nero Marquina

 

Friul Mosaic, simbolo per eccellenza di artigianalità, unicità e arte nel mondo del mosaico, con il catalogo Design che include POLIGONI, ha voluto armonizzare tra loro forme e materiali per creare una serie di superfici che interpretano in chiave moderna e innovativa qualsiasi spazio d’architettura. La tesserina classica lascia spazio a figure di ogni tipo: listelli, poligoni irregolari, casette, losanghe, trapezi, tutti ottenuti con una lavorazione prevalentemente manuale.
Tutto ciò è reso possibile dagli artisti Friul Mosaic che all’interno del laboratorio dell’azienda, tuttora tagliano le tessere a mano servendosi della martellina, e realizzano così forme e mosaici dalla precisione sartoriale destinati a durare nel tempo. 

Friul Mosaic ha firmato tra gli altri, la boutique Dolce & Gabbana a Venezia, il Caffè Contarena a Udine, il Grand Hotel Des Iles de Borromée; ma l’intervento più impegnativo riguarda il Santuario Nacional Nossa Senhora da Conceiçao Aparecida, a San Paolo del Brasile, un cantiere di oltre 2000 mq di superficie.
 

Bagno - Poligoni Friul Mosaic
Bagno 
Bagno - Poligoni
Bagno

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ULTERIORI IMMAGINI E COMUNICATI STAMPA POSSONO ESSERE RICHIESTI A [email protected]

Azienda: Friulmosaic
Vias S. Giacomo, 42
33096 San Martino al Tagliamento PN Italia
tel. +39 0434899217
www.friulmosaic.com

 

Press Office: tac comunic@azione
tel. +39 0248517618
tel. +39 0185351616
[email protected]
www.taconline.it
twitter.com/tacomunicazione
facebook/tacomunicazione

 

 

Marco Mignatti

The "Contrasts" of Color between Planium Metals for Classic and Innovative Scenarios

In our language the word "contrast" often takes on a negative connotation, but in the history of color and therefore of aesthetics this is not always the case, on the contrary: it is precisely the coupling of what is dissimilar, sometimes completely antithetical, to generate a fruitful harmony. Think of Pantone's choice of 2021 to put together two meanings and two colors so distant from each other, Yellow and Gray.
This is one of the cases to consider for Planium metals, since with their chromatic diversity these light up each other in an Interior Design project. The Tiziano red of the Copper, for example, can make a pleasant “contrast” if placed next to the Air Force Blue of the Calamine, or a cold brushed stainless steel. All types of steels work well with dark Calamine, but above all warm tones: a metal, for example, with golden shades such as Brass. Then there is the possibility of daring and playing with more unexpected and unusual, less classic, almost completely new combinations: bringing the brown Oxidized Steel closer to the Stainless Concrete - which is light gray; or finalize a composition with multiple metals using Calamine as a watershed to generate different series.
 

Planium metals

 

TUTORIAL 1: Creating a 3D BIM furniture object with Revit.

Part 1

The creation of BIM Objects, commonly called families in Revit, is essential for the completion of 3D BIM models, and for their proper operation.

BIM Objects are commonly searched for on the Internet in order to be included in a Revit design environment as Families without being modified in any way, and we often ignore the fundamental features, how they were made, the parameters used, the purposes they must fulfil, and the potential interaction with the 3D Model in construction.

Differently from what happens with a “.dwg” file in Autocad, or a “.ifc”, “.rfa” (Revit BIM Families are ".rfa", Revit BIM Projects are ".rvt" files) when a "Bim Family" object is added to a project Parametric 3D Model, the latter is enriched with all the information contained within the inserted object that can, therefore, be interrogated, edited, accounted for, etc.

They are interior design objects, such as Chairs, tables, armchairs and sofas, or real Architectural models such as doors, windows, cladding etc. Therefore, we need to understand their features to better exploit the potential and integration with the main BIM model that hosts them.

This tutorial will show how to crate a Revit family and, in particular, a furniture 3D BIM object.

The easiest thing to do is start from one of the furniture Revit Families found on this website to understand how it was created.

Take, for example, a chair, and more precisely the "Solo S62" .rfa file https://www.syncronia.com/it/modelli-3d-bim-cad-sedie/bb-italia/solo

When opened, the "Chair" Furniture object file will look like this:

img

In addition to carrying out a completely graphic function, in this case of furniture, a Revit family has a series of information and functions that allow it to interact with the 3D model of the project that is intended to host it.

These information and functions are defined parameters and are the performance output of the family.

Each Revit Family will have specific parameters, the creation of which is much more complex than the realization of an Autocad Block.

If we take a Window or Door Frame as an example, you should have the opportunity to meet the Architectural solutions of the 3D BIM Project, but this will have to be designed to comply with such requests in the simplest way possible without having to be physically modified every time.

We need the parameters of a 3D BIM family for this purpose.  

Now let's take a look at the family parameters of Furniture as an example. Simply click on Family Types of the Properties tab of the Create menu.

img

 

The "Family Types" menu that opens provides all information about the Furniture family parameters.

In this case, we see that there are three types of parameters:

  • Materials and Finishes;
  • Dimensions;
  • Identity Data.

Within the first type we find the parameters of the Furniture BIM Family:

  • Pillow;
  • Frame;
  • Foot.

It is important to note that the Revit Family used as an example is a piece of Furniture, a Chair, for which the manufacturer provides a fixed size and materials that can be chosen from the catalogue.

The choice of the materials of the Chair is the design variable, which is controlled by the Revit family parameters.

Each of these parameters has a value that, if well set, and once the family is hosted within the BIM project model, can be changed with the purpose, as said above, of assigning a custom material to the BIM Furniture object and, in particular, to the pillow, rather than to the frame or to the foot of the chair.

To check if this is sufficient, click on the reference value for "Pillow" for example and assign a different material than that set by default to the "Chair" Furniture object. This material can be selected from the “Material Browser” available.

img

Now, everything in the Revit family corresponding to the “Pillow” is associated with a different material, for example a glass.

Then, we check what part of the furniture object has changed appearance.

img

It can be noted that both the seat cushion and the backrest of the Furniture item have actually changed the material, it is used to indicate that both are associated with the parameter “Pillow”.

Now we will see how the "Materials and Finishes" parameters are associated to the various part of the Revit family in question.

img

Selecting the chair backrest will activate the properties of the specific object, and in "Materials and Finishes" the "Glass" material is associated. Immediately to the right you will note a button.

This is the command to set the association of the material parameter to the geometric shape selected.

By selecting the button, you enter the association or creation menu of the material parameters of the Furniture BIM object taken as an example.

img

The parameter to which the furniture object geometry selected is associated, and we find the "Pillow" parameter of the "Materials and Finishes" type.

At this point, you can choose to associate the selection with another existing parameter (Foot or Frame), or create a new parameter, for the purpose of, for example, differentiating the material between the backrest and the seat of the Revit family.

To do this, select the "Add parameter" button and you will see the "Parameter Properties" menu in reference to the new parameter to create what we will call “Pillow 2”.

After the creation of the new parameter we check if the same appears among the family parameters. We go back and click on the Family Types of the Properties tab of the Create menu of the ".rfa" file.

img

As you can see, the new parameter “Pillow 2” is now present and positioned correctly within the type of f “Materials and Finishes” of our Chair.

At the same, we can assign a new material in the same way.

To check that our BIM family works properly, we need to upload it to a Revit file project:

  • Open a new project from the "R" drop-down menu and select "New"; "Project", "Architectural Model"

img

The new work environment presents itself as a blank floor plan.

img

  • From the "Switch windows" drop-down menu, return to the Revit family being created by selecting it from the open views.

img

  • Upload the chair furniture object in the project BIM model.
  • Now we have the furniture BIM object within a Revit design environment, and we can check it simply by selecting it.

img

In the properties toolbar, select the “Edit type” and properties menu of the imported 3D family type opens.

As a test, replace the materials associated with parameters “Pillow”, “Pillow2”, “Frame” and “Foot” parameters creating new ones or using those already present in the Revit “Material Browser”.

img

Now view the 3D Bim model and set the Realistic display style.

img

As can be seen, each element of the Revit family has been associated with a "Materials and Finishes" type Parameter and a different material can be associated to each of these.

Therefore, the possibility of choosing the materials of the Chair Furniture object controlled by the Revit family parameters is satisfied.

 

 

Discover our chairs and tables' 3D models:

https://www.syncronia.com/it/download-modelli-3d-modelli-bim-sedie-e-tavoli

 

Marco Mignatti

Co-founder Syncronia.com

Tutorial

Villages Nature, eco-tourism at the gates of Paris

23 December 2018

#SUSTAINABILITY – After the announcement of the project in early summer, the work of Villages Nature have already begun. Villages Nature is the new eco-tourism destination, based on the search for harmony between man and nature. It is designed and it will be managed by applying the highest standards of sustainable development, in particular by using local renewable energy: geothermal energy deep in the Dogger in the Île-de-France, which will cover 100% of the energy requirements of the site.

 

Villages Nature is located 32 km east of Paris, in the Seine-et-Marne. It marks the start of a new generation of tourism projects and territorial programming that combines accessibility through transport, urban proximity and local energy. Territorial integration is planned by an innovative Sustainable Action Plan establishing quantitative and qualitative parameters that are applied to all project phases: design, construction and exploitation of tourism. This project is developed with the British NGO BioRegional: they adopt the same "One Planet Living" methodology. In 2013 Village Nature was also chosen by the United Nations Environment Programme as a major project to apply the "Global Partnership for sustainable tourism".

Marco Mignatti

Metroquality - BRERA DESIGN DAYS FERRAMENTA, 15-18 ottobre

Lo spazio Metroquality in via Solferino 24 (MI), il punto di incontro tra il mondo della progettazione e le aziende, diventa sede della mostra FERRAMENTA, che nasce dall’idea di far convergere le conoscenze e le capacità di un’azienda che lavora i materiali come Niva, con la creatività di un gruppo di tredici architetti e studi milanesi.

Diceva Enzo Mari “Da trent’anni si producono oggetti di design che hanno l’unico scopo/caratteristica di sembrare diversi uno dall’altro.” In questo senso, le opere di FERRAMENTA hanno la straordinaria caratteristica di non somigliare a nulla: sono tredici numeri primi, nati dalla pura creatività di progettisti da sempre impegnati nella produzione industriale.

È così che il metallo viene plasmato, piegato, bucato e saldato per dare vita alle idee degli artisti: la materia prende forme complesse, affascinanti, e straordinariamente rari. Anzi, unici.

Metroquality ospita FERRAMENTA da lunedì 15 a giovedì 18 ottobre, in occasione di Brera Design Days 2018.

 

DOVE:

Spazio Metroquality, via Solferino 24, Milano

QUANDO:

  • lunedì | dalle 14:00 alle 18:00
16
  • martedì, mercoledì, giovedì | dalle 9:00 alle 18:00 
Architecture

Green Life. BLM Domus realizes one of the first home in Italy following the canons of the Passivhaus

11 October 2018

Everyone feels responsible for the ecological changes our planet is undergoing in recent decades. We are increasingly sensitized to this issue. The new houses are all in energy class A, but many now are opting for passive house, i.e. without heating and cooling systems, but only powered by renewable energy sources. A 185 square meters detached, in Bollate (Milan), has recently been made passive standard, but with a "Mediterranean" style: it bears the signature of BLM Domus. Characterized by modern architecture that remains in shades of white and grey, the house has a technological heart that beats inside the wooden structure, very resistant material with thermal and physical quality aseismic recognized that vouches for the thermal and acoustic insulation. The house has three floors, from the basement where there is the tavern with fireplace, a bathroom and a laundry with technical installations. The ground floor is divided into living area, rooms and facilities, all in an airy. There is a steel and wood staircase leading to the upstairs rooms. In this house all the free heat are maxed out, produced by a household appliance in operation, from the people who live in the house or from the sun. A plant in air-water heat pump is responsible for heating in winter but also of lower temperatures in summer. Mario & Annalisa Where does the PassivHaus come from? The idea comes from Germany and it is a solution designed to provide thermal comfort without traditional plants. It is called "passive" because heat inputs are passive, i.e. due to sun and heat generated from household appliances and by tenants themselves. To be called "passive", an house must comply with the parameters of the standard defined by the Passivhaus Institut in Darmstadt in Germany, a region where temperatures are colder on average. For this reason we speak now of " Mediterranean passive": in Italy there is a mildest climate, so technological facilities are dimensioned according to the place and the surrounding environment, to avoid wasting energy. “We are proud of this project and happy with the result” – says Marco Bevilacqua, technical director of BLM Domus – “The house in Bollate is proof that “passive house” is no longer a concept for a small 'elite' environmental fanatics. Thanks to our experience, together with the adoption of cutting-edge methodologies, we have been able to build a passive house with a financial investment comparable to that of a class A building.”

Zona living

Carlo Bardelli

Green building

ArboSkin: bioplastica riciclabile per facciate innovative

15 Ottobre 2018

L'università di Stoccarda ITKE Institute, Dipartimento di Strutture e Costruzioni della Facoltà di Architettura, nell'ambito del Research Proiect Bioplastic Facade, ha progettato e costruito il nuovo padiglione ArboSkin: è composto di 388 piramidi di bioplastica, materiale totalmente biodegradabile o riciclabile derivante da materie prime vegetali rinnovabili annualmente, come l'amido di mais o la farina.

ArboSkin  

L'intero padiglione è realizzato con elementi di facciata in 3D e dimostra le potenzialità estetiche e strutturali delle bioplastiche. Ha vinto recentemente un premio in uno dei più importanti concorsi tedeschi sulle idee innovative.ArboSkin  

La bioplastica è un materiale estremamente malleabile, ma con buone prestazioni strutturali, particolarmente adatto nello sviluppo di facciate complesse e con motivi in rilievo. Allo stesso tempo consente di rispondere alla crescente domanda di materiali da costruzione provenienti da risorse efficienti e sostenibili, limitando l'utilizzo di derivati da combustibili fossili. ArboSkin

Il progetto della struttura a guscio è basato su una rete di forme triangolati in pezzi tetraedrici di dimensioni diverse. La doppia pelle curva è fatta con piramidi di bioplastica di 3.5 mm di spessore che vengono assemblate meccanicamente per creare la superficie di forma libera. La forma complessa a doppia curvatura portante è realizzata collegando tra loro i tetraedri con anelli di rinforzo e travicelli. I fogli di bioplastica possono essere modellati e adattati liberamente per soddisfare qualsiasi esigenza estetica dell'edificio.

ArboSkin

I fogli di bioplastica sono stati plasmati e termoformati ad alta temperatura consentendo di coniugare una elevata adattabilità ai disegni più complessi e i rifiuti prodotti durante la fresatura sono stati recuperati, ricostituiti e riutilizzati per creare altri elementi di facciata tridimensionali. I granuli di bioplastica sono estrusi in lastre, che a loro volta sono ulteriormente elaborate in base alle singole esigenze per ottenere superfici e strutture anche di notevole complessità. I prodotti semilavorati sono utilizzabili sia per rivestimenti esterni sia per rivestimenti interni. A fine vita il materiale può essere riutilizzato o smaltito tramite compostaggio. ArboSkin

Finora le bioplastiche erano state utilizzate solo per il confezionamento ma questo padiglione dimostra che il materiale può essere promosso ad alternativa verde al cemento, la cui produzione rappresenta l'otto per cento delle emissioni globali di anidride carbonica. (Fabiana Cambiaso Università La Sapienza) www.itke.uni-stuttgart.de ©ITKE; ©Roland Halbe.

Carlo Bardelli        

Facades

Basket Apartments. Wooden slats and three-dimensional wire mesh's envelope

06 January 2019

The project is located on a long and very narrow site, on the edge of Parc La Vilette in Paris’s 19th district, within an urban development done by Reichen & Robert architects. On the northeast, new Paris tram route is passing along the site. The site is bordering with tram garage on the southwest, above which is a football field. The first 3 floors of the housing will inevitably share the wall with the tram garage. Basket ApartmentsThe parcel has a very particular configuration; 11m in width and extending approximately 200m north-south. This foreshadows the importance of processing the eastern facade overlooking the extension of the street Des Petits Ponts which hosts the tram and both cyclist and pedestrian walkways. The long volume of the building is divided into two parts connected with a narrow bridge. Between two volumes there is a garden. The building has 11 floors: a technical space in the basement, shared programs in the ground floor, and student apartments in the upper nine floors. The layout is very rational and modular. Basket ApartmentsThe major objective of the project was to provide students with a healthy environment for studying, learning and meeting. Along the length of the football field is an open corridor and gallery that overlooks the field and creates a view to the city and the Eiffel tower. This gallery is an access to the apartments providing students with a common place. All the studios are the same size and contain the same elements to optimize design and construction: an entrance, bathroom, wardrobe, kitchenette, working space and a bed. Each apartment has a balcony overlooking the street. Basket ApartmentsNarrow length of the plot with 10 floors gives to site a significant presence. Each volume contains two different faces according to the function and program. Basket ApartmentsThe elevation towards the street des Petits Ponts contains studio balconies-baskets of different sizes made from HPL timber stripes. They are randomly oriented to diversify the views and rhythm of the façade. Shifted baskets create a dynamic surface while also breaking down the scale and proportion of the building. Basket ApartmentsThe elevation towards the football field has an open passage walkway with studio entrances enclosed with a 3D metal mesh. Both volumes are connected on the first floor with a narrow bridge which is also an open common space for students. Basket ApartmentsThe building is energy efficient to accommodate the desires of Paris' sustainable development efforts. The Plan Climates goal is that future housing will consume 50KW-h.m.² or less. The objectives of energy performance and the construction timetable were met by focusing on a simple, well insulated and ventilated object that functions at its best year round. Accommodations are cross ventilating and allow abundant day lighting throughout the apartment. External corridors and glass staircases also promote natural lighting in the common circulation, affording energy while also creating comfortable and well lit social spaces. The building is insulated from the outside with an insulation thickness of 20 cm. Thermal bridge breakers are used on corridor floors and balconies to avoid thermal bridges. Ventilation is controlled by double flow mechanical ventilation, providing clean air in every apartment with an optimum temperature throughout the year. The incoming air also reuses heat from the exhaust air. The roof is covered with 300m² of photovoltaic panels to generate electricity. Rainwater is harvested on site in a basin pool used for watering outdoor green spaces. (Fabiana Cambiaso - Università La Sapienza) www.ofis-a.si  Photos: ©Tomaz Gregoric.

Edoardo Croci

Architecture

Kengo Kuma: Green cast

25 November 2018

It's Kengo Kuma's project that speaks of the continuous interest in reconnecting architecture with nature or, to quote the architect, the need “to recover the place”. Green-Cast-Kengo-Kuma-1Using architecture as a frame of nature, the project seems to echo a need for experiencing built space through its interaction with the elements and transformations affected by the passage of time. The faceted wall is populated with plants, creating an impression of two tectonic forces, the natural and the artificial, fighting for supremacy. Green-Cast-Kengo-Kuma-5The multi-purpose building is located near the railway station in Odawara, Japan. The façade, achieved by using decayed styrene foam, encompasses the building, leaving the ground floor transparent and accessible. The first floor facilitates a clinic and pharmacy while the upper floors are used for offices. The planters are comprised of aluminium die-cast panels, made in monoblock casting. Green-Cast-Kengo-Kuma-2Each panel is slanted, and its surface appears to be organic, of which cast comes from decayed styrene foam. Equipment such as watering hose, air reservoir for ventilation and downpipes are installed behind the panels so that the façade can accommodate a comprehensive system for the building. The piping delivers rain water to the aluminum die-cast planters, keeping the whole structure organic and alive. Green-Cast-Kengo-Kuma-3(Fabiana Cambiaso - Università La Sapienza)

Marco Mignatti

Facades