Ice facades. Glass panels and transparency to reduce the demand for energy

01 October 2018

A new architecture in Imola’s skyline. A cube designed with targeted policies to reduce the energy demand to improve comfort. This is an idea signed by A2 Studio Gasparri and Ricci Bitti Architetti Associati, which translates into a careful design of the exterior and an accurate choice of materials.

Cubo di Luce

The facades to the East and North were entirely made out of glass on a steel frame. They allow maximum exploitation of solar radiation in the early hours of the morning without bothering with a bright light indoors. The two most elaborate facades are South and Southwest: they have not only an aesthetic function. It's a wrap created from a masonry almost devoid of views and a second skin in extra clear screenprinted glass panels that protect the most sun and wind exposed sides. Between the two layers, there is a cavity of about 80 cm, where the air circulates in a natural way, and it helps cool the surface in summer and retain warmth in winter.

Cubo di Luce

The project focuses on transparency, opting for full-height windows and creating inside rooms separated by glass, so as to generate a visual continuum between the halls. An architecture that from afar evokes an ice cube from the many reflections of light, as you approach the eye is drawn to the complexity of the details, such as the relief surface, geometric motifs that recur in seemingly random fashion. At night the transparency is accentuated by the lighting design which makes the cube even more.

Cubo di Luce

Cold items such as glass, white, soft light contrast with hot elements and materials: the red door, the use of stone, greenwood, external, internal dark wood. A game of elements that gives character and dynamism to building. Cubo di Luce

Marco Mignatti

Facades

The "Contrasts" of Color between Planium Metals for Classic and Innovative Scenarios

In our language the word "contrast" often takes on a negative connotation, but in the history of color and therefore of aesthetics this is not always the case, on the contrary: it is precisely the coupling of what is dissimilar, sometimes completely antithetical, to generate a fruitful harmony. Think of Pantone's choice of 2021 to put together two meanings and two colors so distant from each other, Yellow and Gray.
This is one of the cases to consider for Planium metals, since with their chromatic diversity these light up each other in an Interior Design project. The Tiziano red of the Copper, for example, can make a pleasant “contrast” if placed next to the Air Force Blue of the Calamine, or a cold brushed stainless steel. All types of steels work well with dark Calamine, but above all warm tones: a metal, for example, with golden shades such as Brass. Then there is the possibility of daring and playing with more unexpected and unusual, less classic, almost completely new combinations: bringing the brown Oxidized Steel closer to the Stainless Concrete - which is light gray; or finalize a composition with multiple metals using Calamine as a watershed to generate different series.
 

Planium metals

 

BedZED: prototype of eco-neighbourhoods

19 November 2018

BedZED (Beddington Zero Energy Development) is the UK's first and largest carbon-neutral eco-community and is located in Sutton, a residential town 40 minutes South East from London. BedZED consists of 82 residential homes with a mixture of tenures – 34 for outright sale, 23 for shared ownership, 10 for key workers and 15 at affordable rent for social housing – and 1'600 square metres of work space, an onsite shop, café, sport facilities, health centre and childcare facilities with a further 14 galleried apartments for outright sale. Residents have been living at BedZED since March 2002 and currently BedZed is home to 220 residents. BedZed2The BedZED design concept was driven by the desire to create a net 'zero fossil energy development', one that will produce at least as much energy from renewable sources as it consumes. Only energy from renewable sources is used to meet the energy needs of BedZED the development is therefore a carbon neutral development - resulting in no net addition of carbon dioxide to the atmosphere. BedZed1BedZED was developed by the Peabody Trust in partnership with Bill Dunster Architects (ZedFactory); ARUP and BioRegional Development Group, environmental consultants. Transport: A green transport plan promotes walking, cycling and use of public transport. BedZED has good public transport links, including two railway stations, two bus routes and a tramlink. BedZED was the first low car development in the UK to incorporate a car club. A 'pedestrian first' policy with good lighting, drop kerbs for prams and wheelchairs and a road layout that keeps vehicles to walking speed. The BedZED project introduced the first legally binding Green Transport Plan as a condition of planning permission. On-site charging points for electric cars are available in Sutton town centre. Energy: Buildings are constructed from thermally massive materials that store heat during warm conditions and release heat at cooler times. BedZED houses are arranged in south facing terraces to maximise heat gain from the sun, known as passive solar gain. 777 square meters are covered with solar panels. Each terrace is backed by north facing offices, where minimal solar gain reduces the tendency to overheat and the need for air conditioning. BedZED homes and offices are fitted with low energy lighting and energy efficient appliances to reduce electricity requirements. BedZED receives power from a small-scale combined heat and power plant (CHP). The heat from the CHP provides hot water, which is distributed around the site via a district heating system of super-insulated pipes. To enable residents and workers to keep track of their heat and electricity use, meters are mounted in each home and office kitchen. Water: Water use is reduced to 76 litres/day; out of which 18% represents rainwater or recycled water; use of aerated taps, low flush toilets, smaller bathtubs. One innovation at BedZED is the use of a reed-water biofiltration system that purifies blackwater into graywater for use in non-potable applications, such as toilet flush or water for gardening. Waste: separate waste collection system. Local materials: To reduce the embodied energy of BedZED, construction materials were selected for their low embodied energy and sourced within a 35-mile radius of the site where possible. Where possible, BedZED is built from natural, recycled or reclaimed materials. (Fabiana Cambiaso - Università La Sapienza) www.zedfactory.com/zed www.bioregional.com Photos: © 2010 Andrew Butterton; © 2010 ZEDfactory Ltd; ©2009One Planet Living; ©2008 The Independent.

Carlo Bardelli

Green building

Sustainable Smart Insulation. Development of insulating panels for building waste paper and pcm

An excerpt of master thesis in Design & Engineering, academic year 2010/2011 by Marta Musitelli School of Design, Politecnico di Milano Speaker: Barbara Prof.ssa Del Curto Co-rapporteur: Prof.ssa MariaPia Pedeferri Sustainable Smart Insulation is the thesis of the research conducted by Marta Musitelli at Politecnico di Milano. The project aims at the development of sustainable and innovative insulating panels, achievable through the use of two components: the cellulose, obtained from recycling waste paper, and Phase Change Materials (or PCMs), substances capable of accumulating and releasing heat on a scheduled basis. Through the mixing of two substances during processing of recovered paper, it was possible to obtain a composite material with an entirely new set of features, which combine the thermal properties of the two components. In the construction field, the PCM is used and studied for several years to improve the capabilities of heat insulation of the walls. Cellulose fibers are used as ecological insulating material. The aim of the research is to get an array of cellulose insulation enriched by thermal properties of PCM and carry out studies and tests to verify its suitability in the context of use. Several ideas for optimizing material properties, such as lightness, mechanical resistance, fire resistance, resistance to water absorption and environmental sustainability, were proposed and tested . The presence of air zones within the structure of a material reduces the density and at the same time improve the insulating properties. In order to achieve a more efficient and lightweight Panel several techniques of inclusion of air inside the new material in waste paper and PCM have been tested, such as:
  1. Lyophilization process
  2. Proving process
  3. Distribution of flakes
  4. Shape modeling
An effective method to get air pockets within a structure is lyophilization. A second method is to use leavening agents such as baking soda, able to decompose at high temperatures and to create carbon dioxide particles inside the wet pulp, which during drying in stove increase in volume due to the boiling water. The addition of sodium bicarbonate in various quantities gives different results: the Panel made with 30% of baking shows a significant increase compared to the panel thickness without additives; the Panel with 50% of baking shows a thickness increase further compared with the previous coming to be about double the Panel without additives. A third method is to get a get a lightweight structure through the layering of cellulose flakes obtained by grinding. This method allows you to obtain lightness thanks to the air that is trapped between disordered fibers, but it is not suitable for use in the construction field because it is not workable and mechanically resistant.
Materials

Hygroskin: living material surfaces

09 October 2018

‘It is a question of surrendering to the wood, then following where it leads by connecting operations to a materiality, instead of imposing a form upon a matter‘ – gilles deleuze and félix guattari   Professor at the Institute for Computational Design and Architect Achim Menges in collaboration with his colleagues Steffen Reichert and Oliver David Krieg have developed two biomimetic meteorosensitive pavilions: ‘hygroskin’ (on permanent display at the frac centre) and ‘hygroscope’ (on display at the centre pompidou). Hygroscopicity refers to an objects ability to absorb moisture from its environment when dry and shed moisture to its environment when wet. utilizing the intrinsic physical characteristics of wood and its one-directional nature the project creates a hygroscopic mechanism that requires no energy or metabolic process to run, as it is entirely animated by the naturally changing climate. Responding to humidity, paper thin triangular wooden flaps absorb air moisture and expand. as they are essentially the thickness of a one-directional grain, the sheets are forced to unwrap themselves, effectively meeting at the center point of an aperture and closing it – when dry, the wood constricts to reveal merely a web of thin structural members and thousands of openings. The spruce cone has proven an invaluable source of research, as its characteristics fulfill exactly this purpose without the need for external or internal energy sources. In this way, architecture can explore the benefits of a living structure that responds directly to changes in the environment due to its mechanical properties that require no energy whatsoever.   Hygroskin is a pavilion located at the Frac Centre Orleans. made of a modular steel frame in the form of a voronoi-esque diagram. Spanning each frame, concave plywood sheets are bent to their natural elastic capacities, containing within them a smaller diagram of responsive apertures. With the help of laser scanners and a 7-axis industrial robot the team was able to produce the timber skin structure from precisely molded thin sheets whose geometry provide it with the necessary rigidity while remaining extremely lightweight. HygroSkin exterior HygroSkin esterno Hygroscope pushes the concepts explored with hygroskin as applied to a much more complex environmental sensitivity. The breathing model floats in a glass case whose micro-environment is composed of two data sets: one, an exact mirror of the current meteorological conditions in paris; the second being a proportional parallel to the amount of humidity emanated from the number of visitors. The maquet becomes a visual gauge interpreting the subtle changes in humidity as it exists outside the center pompidou with relation to the amount of pedestrian traffic around it. Using computational algorithms to derive a form which is a direct response to theoretical climatically unstable zones, each aperture is essentially programmed to respond to different levels of humidity based on the slight change of one of the following five factors:  

  1. the fibre directionality
  2. the layout of the natural and synthetic composite
  3. the length-width-thickness ratio
  4. geometry of the element
  5. the humidity control during the production process

achimmenges hygroscope achimmenges hygroscope More than a direct response to a climatic condition, ‘hygroscope’ explores the complex application through localized responses to unique meteorological zones- a synthesis of concrete physics, computational design and leading edge manufacturing processes. achimmenges hygroscope   Credits: http://www.achimmenges.net Photos: © ICD University of Stuttgart   Prof. Achim Menges Architect Institute for Computational Design, University of Stuttgart, Germany Hygroskin Pavilion and Hygroscope Installation, France Completed: 2013 Materials: Wood, Steel Applications: Envelope,Structure.

Edoardo Croci

Facades

Kids Design Manifesto

Finally available to the public, on Amazon, the Kids Design Manifesto, the first international manifesto - presented in Italian, English, and Chinese - for all those who are really interested in the kids' world innovation.

The Manifesto, first and unique of its kind, is the result of a long and intense research work coordinated by CILAB - Creative Industries LAB within Politecnico di Milano, Design Department, since 2015, with contributions by Francesco Schianchi, Luca Fois, Arianna Vignati e Francesco Zurlo and the patronage of ASSOGIOCATTOLI.

The Kids Design Manifesto intends to be the cultural foundation of an international movement we called KIDNASCIMENTO (kid renaissance): a research and design approach that places the Kid at the center, as a person with his rights, as written in the Declaration of the Rights of the Child drafted by the League of Nations in 1923.

Design, as a multidisciplinary profession, is the most appropriate project culture and method to deal with "products and services" for kids.

Kids' products and services are, by nature, “systemic” as they convey emotional, cognitive, relational functions, other than their function use.

So, a toy is not just a medium of entertainment, but, as an Assogiocattoli's payoff claims, it is "food for the mind".

Especially in the first 1000 days of a kids' life, including the months of gestation, each sensorial experience contributes to the construction of the first and fundamental neural patterns which will determine their grown-up character.

Hence the strategic importance of the "Kids Design", to grow up conscious and independent kids, characteristics of freedom.

 

The Network of The Manifesto’s Ambassadors

The Ambassadors are all those who, after reading and sharing the values of the Manifesto, want to enter its network and participate in the research and the discourse of the Kids Design, organizing meetings, activities, and workshops to broaden and empower the Kidnascimento movement and to positively inform and push professionals, companies and institutions towards the most strategic social sector, the kids' one.

 

For those interested in becoming part of the network, contact [email protected].

Partners news

Upcycle House: recycled materials and zero emissions

Upcycle House is an experimental project, aimed at exposing potential carbon-emission reductions through the use of recycled and upcycled building materials. In the case of Upcycle House, the reduction has been 86% compared to a benchmark house. With increasing building performance in regards to operational energy consumption, focus has now shifted towards CO2-emissions related to construction.

Upcycle House Upcycle House Upcycle House

Upcycling is the process of converting waste-materials or waste products into new materials or products of higher quality resulting in a reduction in production and therefore CO2-emissions. When building houses, it is therefore environmentally beneficial to think in terms of material recycling, since the materials have already emitted CO2. It is even better to develop processes where garbage or useless materials can be upcycled and reused for new building materials of higher utility value than they had originally. Upcycle House. Realdania Byg (a Danish foundation that promotes innovation and good practice in the building sector) has developed and constructed a single-family house with Lendager Architects called Upcycle House conveying the principles of upcycling in a tangible and clear example. The house is built of processed recycled materials and Upcycle House investigates how much it’s actually possible to reduce the CO2 footprint by using upcycled materials to the extent possible. Upcycle House

The loadbearing structure consists of two prefabricated shipping containers, while the roof and facade cladding is made from recycled aluminium soda-cans. Facade panels, consist of post-consumer recycled granulated paper, which is pressed together and heat-treated. The kitchen floor is clad in tiled champagne cork-leftovers, and the bath tiles are made from recycled glass. Walls and floors are covered with OSB-panels consisting of wood-chips that are bi-products of various production sites, pressed together without glue. The recycled materials are not very visible and the house does not radiate a recycled look – The house looks and functions like a contemporary house built of conventional materials.

Upcycle House

The initial work on Upcycle House takes place in the workshop where window holes are cut, and the containers are fitted with plumbing and wiring for the bathroom and the kitchen. The containers only serve as the constructive frame of the house.Upon arrival at the site in Nyborg, the containers are placed apart, shaping a central living space, dining space and master bedroom. The two shipping containers are insulated on the outside, making the recycled structural framework invisible. The result is a 129 sq. meter (1390 sq. feet) house that is designed to create the optimal setting for a family’s everyday life. The house features a large living room connected to a spacious kitchen, a master bedroom, three smaller rooms, bathroom, utility room and a passive cooling chamber. In addition to this the house is also fitted with a large greenhouse adjacent to the kitchen and a large south-facing terrace. Anders Lendager (owner of Lendager Architects) comments on the results of using recycled materials: “We initially thought that a reduction of 65% CO2 was unrealistic, but when we ran the LCA (Life Cycle Assesment) on all materials throughout the entire project, it turned out that we had reduced the CO2 emissions associated with construction with 86%, compared to a benchmark house. With that in mind, we are surprised that no one else is working on this. Why is it not included in everything we do as architects? Why is it not included in the building code that a certain percentage of building materials have to be recycled?” Passive sustainability. Besides the material approach, Upcycle House aims to reduce emissions through an array of sustainable features. Due to the limited economy of the project (1,7 Mil Dkr.) a special emphasis has been put on the house’s passive properties. Therefore Upcycle House is designed with orientation, temperature zones, daylight optimization, shading and natural ventilation in mind. This makes for a single family house with a significant reduction in emissions, that is also well within economic reach of the average family. To illustrate the potential of this house, the team did a rough calculation: The CO2 emission from Upcycle House is 0,7 KG CO2/M2/YR compared to 5,0 KG CO2/M2/YR for a benchmark house. In Denmark 10.000 single family homes are built every year. With a reduction of 4,3 KG CO2/M2/YR and an average floor area well over 130 sq. meter this makes for a potential reduction of 5590 tons of CO2 – per year. Area: 129 sqm Completion: 2013 Materials: Wood, Aluminium, Glass, Plastic, Paper, Applications: Envelope, Structure lendagerark.dk Figures: © Jesper Ray; © Polfoto

Materials

Plein Air: less is better

A series of garden tables of refined geometry that amazes with its style, details and combinations of materials and finishes.

PLEIN AIR, the new 100% Made in Italy collection designed by Michael Anastassiades for RODA becomes the protagonist and ally of all domestic outdoor and indoor spaces.

The table frame is available in the elegantly dark Smoke shade or with a delicate Milk finish. A single stoneware slab forms the tabletop, which is now available in two new shades, Graphite and Clay, both of which heighten the airy and spacious effect imparted by the surface. The table comes in four sizes, including up to the notably generous length of 280 centimetres.

Milk e top clay & smoke e top graphite

Thanks to the use of (infinitely recyclable) aluminium and ceramics at least 40% derived from recycled material and LEED certified (Leadership in Energy and Environmental Design), the PLEIN AIR tables qualify with full honours as exemplars of RODA's ethical commitment to sustainable production.

With PLEIN AIR dining table, Michael Anastassiades brings outdoors a piece of furniture with clean and simple shapes following the philosophy less is better.

PLEIN AIR collection starts the new collaboration with the designer Michael Anastassiades, proclaimed “Designer of the Year” in 2020.

Plein Air

 

Partners news

Planium: Metal in interior design

Many times metal has been the protagonist in the history of art and architecture for the contribution it provides in external devices. Today, however, metal is present more and more frequently in interior design. Furnishing with metal means spreading a sense of minimalism, of design reduced to the essential, which also gives a perception of rigor to the whole. Metal is eternal, its maintenance is minimal and - very important - can be recycled.

 

Planium


Depending on the treatment that Planium reserves for it, metal can have a different brightness and materiality, with a direct effect obviously on the aesthetics ... the brushed metal, for example, has a more shiny character than the satin which, however, is more sophisticated to the touch and sight because it alternates light and dark, shadow and light. And this can also be true for steel, be it stainless steel or oxidized, for the iridescent copper and for its alloys obtained with tin or zinc, that is the "gilded" bronze and brass ...

Installing with Planium is a matter of speed, but also of reversibility: with dry laying, alternatives to traditional models, the brand invests in environmental sustainability, avoiding the use of glues and silicones. In different ways, the following are proposed: the support laying of AP01 Lay Floor - the fastest ever - the one-click laying of PL01 Invisible, the "mechanics" of SM02 Evolution with visible angular screws or finally the always practical and magnetic MG01 Magnetic Floor.

Partners news

Friem Headquarters: metal skin façade

04 February 2019

Italian architects Onsitestudio have completed the Milan headquarters of an electrical product manufacturer, wrapped in profiled steel. The main purpose of the project is the overall reorganisation of an area used for the production of electrical converters, located in an industrial compound along the Cassanese state highway, east of Milan. The main idea is to define the boundaries of the production site by building a continuous wall to create a feeling of an enclosed urban block. The building “thickens” this wall near the angle, separating the internal space from the external one, with an internal garden and public spaces along the street . Friem HeadquartersThe project foresees research spaces on the ground floor, withdrawn and facing the internal garden and offices on the second floor. The volume folds around the angle and stretches out with two bodies, characterized by a continuous glass façade: the first body, facing the birch garden, is designed to be used for directors’ offices, while the second one, facing the street, will be used for the operating offices. On the far west side, in direction of the state road, the volume becomes a vertical body, with the tower hosting the technical stations. The metal skin, constituted by shaped and drilled sheet metal in opaque stainless steel, envelopes the building entirely like a curtain, thus conferring to the volume a balanced character, where the opaque and transparent portions are ambiguously defined. The skin filters the light into the building at different opening degrees, depending on the exposure to the sun and the degree of intimacy desired in the interior. Friem HeadquartersThe facades are completely defined by a metallic skin composed of opaque stainless steel shaped, perforated and stretched sheeting. The steel selected for this project is stainless AISI 304, with a 2 mm thickness and 4 to 4.5 m high sheets. The texture of the metallic elements has been developed in several phases trying to use common industrial elements, such as folded and perforated sheets, to then achieve a bespoke solution to follow the concept of a cladding whose variety can be shown at different levels, both in plan and elevation. In correspondence of the glazed elements the metallic cladding continues and maintains its shape, but it is perforated. The presence of many small oval holes allows the metallic skin to filter the light with various grades of opening in relation to the sun exposure and the level of intimacy of the internal spaces. Friem HeadquartersOnly the entrance which is characterised by zenithal light. The sensation for those who are inside is of an intimate and reserved environment with relaxing views over the green of the internal garden. The choice of the metallic cladding, as well as for the rest of the construction executed with the assembly of prefabricated elements (iron profiles for the structures and plasterboard panels for the partitions), has been dictated by the desire of slimming down and simplify the construction phase, while speeding up the phases, reducing the storage space for materials on site and improving the quality of the finished product. Friem HeadquartersThe building is designed to meet the class A energy efficiency requirements of CENED. The metal covering  has been designed to be covered with photovoltaic panels in amorphous silica. Energy efficiency is achieved through several strategies: a high performance covering system for both opaque and transparent portions, external shielding systems against solar radiation, internal curtains, technical systems based on heat pumps, he recovery of rain water for irrigation and high performance double glazing. Stratigraphy is organised as follows: a sandwich panel in wood and mineral wool with a thickness of 150 mm, coupled on the outside with a transpiring, watertight and UV resistant membrane, and completed on the inside by an insulated wall lining in plaster with 3 plates. Friem Headquarters(Fabiana Cambiaso) Credits: Onsitestudio Architects Friem Headquarters, Segrate (Milan, Italy) Building Surface: 2100 mq Opening: 2010 Materials: Steel, Wood and Mineral Wool Applications: Envelope Cladding, Solar Shading, Sandwich Panel www.onsitestudio.it Figures: © Filippo Romano; © Onsitestudio; © Helene Binet.

Carlo Bardelli

Facades