11 February 2019

Palazzos Centenary Square, the largest public square in the heart of Birmingham, currently lacks cohesion or a clear identity or atmosphere. Mecanoo's design transforms the square into one with three distinct realms: monumental, cultural and entertainment. These palazzos form an urban narrative of important periods in the history of the city; The Repertory Theatre (REP), a 1960s concrete building, the Library of Birmingham, designed in 2009 and Baskerville House, a listed sandstone building designed in 1936. The busiest pedestrian route in the city, what Mecanoo calls the red line, leads pedestrians into Centenary Square. The cantilever of the library is not only a large canopy that provides shelter at the common entrance of the Library of Birmingham and the REP, but additionally forms a grand city balcony with views of the events and happenings on the square. The Library of Birmingham is a transparent glass building. Its delicate filigree skin is inspired by the artisan tradition of this once industrial city. Elevators and escalators dynamically placed in the heart of the library forms connections between the eight circular spaces within the building. These rotundas play an important role not only in the routing through the library but also provide natural light and ventilation. The rooftop rotunda houses the Shakespeare Memorial Room, designed in 1882. This Victorian reading room is lined with wood from the first Birmingham Central Library. Its prominent position as a rooftop aerie makes this delicate room visible from the square. The REP with its unique and beautiful auditorium will be renovated. New workshops, staff accommodations and a shared theatre and foyer space will be created for both the REP and the library. Sustainability The Library of Birmingham is a BREEAM excellent rated building and incorporates grey water systems and ground source heat pumps. Although the Library is a transparent building, it maintains energy efficiency through the buffering capacity of the building mass and the atria. Sun shading and reflective materials within the facades block the harsh rays of the sun during the height of afternoon while allowing natural daylight into the interiors. The ground floor benefits from the mass of the soil which provides buffering and insulation. The circular patio cut out of the square creates a protected outdoor space and invites daylight deep into the building. The building will incorporate a mixed mode and natural ventilation strategy. The façade will respond to external conditions and openings will allow fresh air intake and outflow. The addition of soft landscaped roof spaces will further enhance the immediate surrounding conditions. (Fabiana Cambiaso, Università La Sapienza Roma) Credits: www.mecanoo.nl   Library of Birmingham -  Mecanoo Architects Site: 309 Broad Street, Birmingham, West Midlands, UK Completed: 2013 Materials: Glass, Metal Cladding Applications: Envelope, Photos: © Christian Richters.

Carlo Bardelli    

Requalification, recovery of buildings and cutting-edge technology to design the home of the future: this is what was presented at 51° Edition of the SAIE, international building exhibition in Italy.

At the heart of the new SALT SMART HOUSE, in the Services area of Bologna fair (held like the interior of a great intelligent and sustainable house), SMART HOUSE LIVING has been presented. This project consists of 4 souls: an exhibition – Smart House Solution – on which was represented a new culture of sustainable living, which allowed visitors to ' touch ' practical applications and innovative technological solutions; a playful and participatory path – the Wheel of Sustainability – to bring the public to the culture to "triple zero" (zero consumption, zero emissions, zero waste); the Forums on the themes of designing, building and inhabiting the houses of tomorrow; the BIG Energy Idea — a ' emotional room ' of innovation told through videos and sounds: a project to push for change through knowledge.

In SMART HOUSE LIVING area, energy has been the main topic thanks to the forum "Building & Innovation". In the Digital Smart Building technology how this innovation can revive the construction industry has been the main topic. Many laid optical fiber is still unused. Since last July with the Decree Unlock Italy, "all new buildings must be equipped with a passive multiservice physical infrastructure inside the building, consisting of adequate space and installation of high-speed communications to the fiber optic network termination points". The legislation makes the provision in new homes be mandatory. SAIE #Idrogeo has been the main new of this edition: it is an informative area and exhibition dedicated to the theme of recovery and securing of the territory from the hydrogeological point of view, that this year 2015 focused on the theme of urban land preservation thanks to the work of engineers and geotechnical in particular. 'Green' has been the guest star in new edition of SAIE, too. Inside the 'Live' path, #Landmaking group has organized ‘To build green’, an area where some of Italian excellences in the field of green have been gathered. The construction industry's interest is directed towards the energy efficiency of existing buildings, as well as through the performance improvement with the aid of new and more modern systems and engineering solutions.

The parquet decorates itself and it becomes furniture. The Xilo 1934, specialized (also) in the field of wood floors, presented at Cersaie 2015 a product of great interest: the design floor Kimano. We talk about a decorated parquet, expression of a unique style that combines the elegance of wood product to the aesthetics of a classic finish.

This made in Italy product also has advantages, including ease of maintenance, as well as being more resistant to scratches and, in case of damage, the surface can be repaired. In addition, it is natural: no formaldehyde or toxic emissions, but only water paint with a greater protective layer. Kimono, available in multiple formats, is indicated for installations on radians and cooled; it is perfect for glued installation and floating.

And above all it gives rise to new locations. The flooring is no longer just finishes for interiors and exteriors, but it becomes subject to personalize our rooms and create geometric patterns or shapes that change the appearance. Kimano was created by the artist from Palermo Fiorella Bonanno. Daughter of art, with a love for decorations from a young age, Bonanno is passionately dedicated to the study and reproduction of typical Sicilian décor wood, keeping alive the artistic traditions of his homeland.  

13 Jenuary 2019

The purpose of the Design Hub is to provide accommodation in one building for a diverse range of design research and post graduate education. The Hub provides a collegial research base where post graduates in fields such as fabric and fashion design will work alongside those involved in architecture, aeronautical engineering, industrial design, landscape architecture, urban design and so on.

Research groups have the ability to locate and fine tune their accommodation within ‘warehouses’ – open plan spaces where research teams can set up and tailor their work environment to suit their particular needs. Teams may stay for anywhere from six months to three years depending on the nature of and funding limits to their research and education programs. Research may include the need for workshops to make physical models to be located alongside computer studios, three dimensional printing, virtual reality modelling and so on. Given the time frames associated with research projects all the warehouses require a high level of adaptability and flexibility. In that sense these spaces are designed to accommodate the organic nature of research – ever evolving, adapting, changing and growing. The plan of the Hub acknowledges the desire for incidental cross pollination where researchers from one field encounter those from completely unrelated other fields as part of their day to day use of the building. An exhibition space and design archive provide a public interface with both industry and research outcomes. These spaces combined with a variety of lecture, seminar and multi purpose rooms facilitate high level exchanges in a number of forums.

The Hub has a large number of ESD features and incorporates strategies of water, waste and recycling management that are the equal of any ESD focussed building on the planet. In particular the outer skin of the Hub incorporates automated sunshading that includes photovoltaic cells, evaporative cooling and fresh air intakes that improve the internal air quality and reduce running costs. The cells have been designed so that they can be easily replaced as research into solar energyresults in improved technology and part of the northern façade is actually dedicated to ongoing research into solar cells to be conducted jointly by industry and RMIT. The entire building façade, in other words, has the capacity to be upgraded as solar technology evolves and may one day generate enough electricity to run the whole building. The façade comprises a specifically detailed double glazed inner skin on each face of the building and an automated operable second skin shading device. The second skin shading device surrounds the entire building, from the ground floor to the roof plant level. It is made up of nominally 600 mm diameter sandblasted glass disks, which are fixed to either a horizontal or vertical aluminium axel. Each axel is fixed to the outer face of a galvanised steel cylinder of a slightly greater diameter and nominally 130 mm in depth. 21 glass discs and steel cylinders are fixed together in panels of nominally 1.8 m by 4.2 m, which are supported on a secondary galvanised steel frame set out about 700 mm from the curtain wall face of the building. These are accessed by an external service walkway on each level.

Each typical panel is made up of 12 operable glass discs and 9 discs which are fixed. At the ground and plant room levels all glass disks will be fixed. There are 86 panels on each level and therefore 774 panels for the nine levels of the building. Perimeter air intakes and fine mist sprinklers incorporated into the double glazed inner skin provide passive cooling to the UFAD system. The water used in this ‘Coolgardie safe’ system is harvested from the roof. Fresh naturally cooled air provides a less expensive, lower energy consumption and more desirable thermal comfort alternative to a wholly conditioned work environment.   Credits: www.seangodsell.com RMIT University, Melbourne, Australia, by Sean Godsell Material: Frosted glass,  Low-E insulating glass, steel profiles and galvanized steel Application: Envelope Area: 13,000 sqm Completed: 2012 Figures: © Earl Carter (Fabiana Cambiaso – Università La Sapienza Roma).

Marco Mignatti

28 February 2019

The citylife project located in the heart of Milan -- in the centre of the historic fiera area immersed in a park of 160,000 square metres (one of europe’s largest pedestrianized zones) -- involves a group of architects rather than a single designer: Zaha Hadid, Arata Isozaki and Daniel Libeskind. Citylife brings to the urban context a new model for work and leisure, an area to be enjoyed on foot or by bicycle, with traffic circulating only underground. At the centre of the project is the business district -- three office towers in the 'piazza delle tre torri': torre Isozaki (il dritto, the straight one), torre Hadid (lo storto, the twisted one) and torre Libeskind (il curvo, the curved one) -- torre isozaki will be 202 meters high (663ft) with 50 floors, making it amongst the tallest in Italy by roof height. Torre Hadid will be 170 meters (558 ft) high with 44 floors, and torre libeskind will reach a height of 150 meters (492 ft) with about 30 floors. The three towers are able to accommodate ca. 10,000 people, over a total of approximately 130,000 m2. A Contemporary Art Museum, a shopping area with bars and restaurants, and a pavilion for exhibitions, sports, entertainment and fashion shows are also part of the project. The skyline of Zaha Hadid's CityLife Milanohousing complex is defined and characterized by a sinuous fluid line. The residences are comprised of seven curved buildings of varying heights, from 5 to 13 floors. The distinctive architectural elements include a serpentine movement of the curved balconies and the profile of the roofs, which provide a soft and elegant shape for all of the top-floor penthouses, complete with extensive covered terraces. Construction of the residential complex began in august 2009, with delivery of the first apartments scheduled for 2013. Great care has been given to the site and building orientation, taking into account environmental and comfort requirements so that most apartments face south-east and at the same time allocate the best views from the terraces, towards the city or the public park. The façade materials - fiber concrete panels and natural wood panels - emphasize the complex's volumetric movement and at the same time give a private and domestic quality to the interior of the residential courtyard. The interiors open onto extensive terraces. All of the apartments feature structural and plant solutions that can be easily adapted to individual needs. Each of the homes is different from the others in terms of size, exposure and layout: from two-rooms to large family apartments and twin-level penthouses. At ground level, the double-height lobbies are flooded with light by large openings stretching from floor to ceiling, designed to confer strong visual continuity with the park. access to all stairwells is provided by main and service lifts. The underground parking areas lead directly to the individual buildings with easy, convenient and secure access. (Fabiana Cambiaso) www.zaha-hadid.com www.city-life.it/it/ © zaha hadid architects; © CityLife   Residences Hadid, Milan, Italy Zaha Hadid Architects, Permasteelisa Spa Area: 45.000 sqm (300 units) Completion: 2015 Materials: Aluminum, Galvanized Steel, Glass, Wooden Slat Panels Applications: Envelope.

Marco Mignatti    

02 October 2018

L'Istituto per Design Informatico (ICD) e l'Istituto di Strutture edilizie e Progettazione Strutturale (ITKE) dell’Università di Stoccarda hanno realizzato un padiglione che ricorda visivamente e materialmente un insetto, o meglio un coleottero. Il gruppo di lavoro non è certo nuovo a questi progetti: recente è infatti un altro padiglione basato sull'esoscheletro di un'aragosta e una struttura progettata e costruita invece sul modello dello scheletro di un riccio di mare. Il progetto è basato sullo sviluppo robotizzato per moduli delle doppie strutture composte da strati di fibra di carbonio: in questo modo l’intera architettura rimane minima e leggera, permettendo un elevato grado di libertà geometrica. Si estende su una superficie di 50 metri quadrati, ma pesa solo 593 chilogrammi.

Il team di ricercatori e studenti ha utilizzato modelli 3D ad alta risoluzione di vari gusci di scarabeo - noti come elitre – per condurre un'analisi delle strutture interne complesse, lavorando a stretto contatto con biologi e paleontologi dell'Università di Tuebingen.

Queste strutture sono state poi convertite in una serie di principi di progettazione, realizzati con vetro e fibra di carbonio polimeri rinforzati per dare il padiglione un rapporto resistenza-peso ottimale. "Il progetto presenta un nuovo approccio alle strutture in fibra composita in architettura", ha spiegato ICD ricercatore e membro del team Marshall Prado.  

Edoardo Croci