Cement and steel. Bio Museum signed by Frank O. Gehry

30 November 2018

Concrete and steel are the protagonists of the skeleton of new Biomuseum of Panama designed by Frank O. Gehry. It is an eclectic, asymmetrical, projecting and convoluted structure with canopies that overlap to form a collage of shapes and colors that catch the eye.

Biomuseum Frank Gehry

The building consists of three main elements: Museum, Design Gallery and Park. The structure is based on thick concrete “trees” that hold various metal clad similar to canopies in a series of curved and bent geometries.

Biomuseum Frank Gehry

"The bridge of life" is the Museum’s name, conceived in order to teach and disseminate the importance of biodiversity. An irregular shape that looks like a representation of the natural forces that shape our world.

Biomuseum Frank Gehry

Structural elements also become education points that describe the impact of mankind on the Panamanian ecosystem. Panama is not only one of the places with more biological diversity in the world, but it is also home of some of the most studied ecosystems.

Biomuseum Frank Gehry

www.biomuseopanama.org   www.foga.com

Marco Mignatti

Architecture

Ambiente The Show. Dal 9 al 13 Febbraio a Francoforte sul Meno

Messe Frankfurt si prepara ad ospitare, dal 9 al 13 Febbraio, "Ambiente The Show": fiera leader internazionale e appuntamento numero uno al mondo dedicato ai beni di consumo.
Si tratta dell’evento più grande al mondo dedicato ai beni di consumo per il dining, giving e living. La fiera è riservata ai professionisti ed accoglie esperti di settore. Ospiterà più di 4.400 espositori provenienti da oltre 94 Paesi. Le quattro giornate di Fiera saranno arricchite da eventi, incontri e conferenze.
Non mancheranno articoli per la ristorazione, complementi d’arredo per la casa e il settore contract. Quest’anno il paese partner della manifestazione saranno i Paesi Bassi con la mostra nella galleria 1 curata dal designer olandese Robert Bronwasser. 
Ad Ambiente 2018 quattro nuove tendenze stilistiche sviluppate e allestite in una mostra a cura dell’ufficio stile bora.herke.palmisano: Modest regenerations, Colourful intentions, Technological emotions, Opulent narrations. Per rappresentarle gli esperti hanno scelto i concetti “Fusion, Link, Connection”, poiché “ognuno dei quattro temi di tendenza contiene aspetti diversi e talvolta apparentemente contrastanti” - ha spiegato Annetta Palmisano – “si tratta sempre di più della ricerca del benessere, dei valori, delle alternative e in ciò l’attenzione si focalizza sul quotidiano, sulla lavorazione a mano, sulla sostenibilità e sulla futuribilità”. 
Le quattro giornate di fiera saranno arricchite inoltre da un vasto programma di eventi, conferenze e momenti d’incontro con i principali players internazionali.
L’azienda organizzatrice della fiera rende noto che è possibile acquistare online i biglietti d’ingresso ad un prezzo di prevendita agevolato e di poter usufruire della convenzione con Lufthansa per volare a Francoforte. Con lo stesso biglietto d’ingresso sarà anche possibile viaggiare gratuitamente sui mezzi pubblici della città. Inoltre sul sito di Messe Frankfurt Italia si possono consultare le linee guida per organizzare al meglio la propria visita.

 

DUCASSE SUR SEINE

21st October 2019

The new Ducasse Sur Seine restaurant was opened on September 2018. It is a 40-meter boat with an electric motor specially designed by the naval architect Gérard Ronzatti. The restaurant's interior design needed to reflect the excellence of the world’s most Michelin-starred living chef, as well as the novelty of this directional project. To meet this challenge, the partners, Citysurfing, Ducasse Paris, and Caisse des Dépôts, commissioned the talented duo of couturier-designer Maurizio Galante and Tal Lancman, who they entrusted with the creative and cultural direction of the floating restaurant.

 

The Seine and its barges epitomise the beating heart of Paris, and the flow of the river inspired Galante and Lancman design of the restaurant's interior. This concept carries the notions of movement, reflection, and fluidity of water, as well as "shapes of water", expressed through a multitude of facets, from furniture to tableware. The designers also strived to highlight French know-how and the beauty of exceptional craftsmanship.

 

To harmonise with the magnificent environment, encompassing Pont de l'Alma and the Jena bridge, the Eiffel Tower, and passing boats on the river, the two designers created a visual language directly inspired by the movement and reflections of the Seine. By bringing the exterior inside, they have conceived Ducasse Sur Seine’s particularly exquisite atmosphere to synch with its surroundings. Motifs of waves and ripples are explored in the restaurant. The ceiling of the great hall is designed with 3000 three-dimensional metal waves in different shades of silver and gold, shaped by the italian company PLANIUM Srl. An integrated LED system between the waves imparts a subtle effect of movement. This lighting, conceived by light artist Franck Franjou, is coordinated with the glittering lights of the Eiffel Tower”.

 

The metal waves on the ceiling were made of pre-anodised aluminum in silver and gold, 0.5 mm thick. The light plates have been anchored on a polished metal net, welded with assembly hardware always in shiny metal, taking care of every detail until the desired perfection. The assembly of the waves on the net has been developed to make the installation on the ceiling of the restaurant of the prestigious boat precise and rapid.

 

Foto1

 

Foto2

Foto3
Foto4

Anodized aluminum ceiling: Planium Srl

Project: Naval architect Gérard Ronzatti

Creative Direction Interior design: Maurizio Galante & Tal Lancman

Photography: Pierre Monetta

 

Arianna Saini

Architecture

SM02 Evolution

SM02 Evolution is a technical floor with a dry laying system. This takes place by means of support and mechanical coupling between tile and tile. The coupling screw remains visible on the surface and therefore the combination of this installation system with the steel finish is relevant as the detail of the screw gives the steel a very industrial and hight-tech appearance. The fixing plate allows a simple, clean and free of joints laying of the tiles, reducing labor costs, ideal for designers looking for a floor with a modern and uniform style, able to recreate an elegant contrast with the finish of the cieling. The tiles have a minimal thickness, they can be laid quickly, reducing labor costs, and they can be walked on immediately. They can be placed on screed or on old floors that you wish to cover and preserve, avoiding the inconveniences and costs of demolition and disposal.

Evolution SM02

 

Archipalette da 110 e lode

Il colore è un elemento essenziale per esprimere se stessi e il proprio stile, anche in casa o in ufficio. Oltre a rendere gli spazi più confortevoli e stimolanti, l’uso sapiente delle scelte cromatiche all’interno degli ambienti è fondamentale per modificare la percezione di luminosità e dimensione degli spazi, assumendo quindi un carattere non solo estetico, ma anche funzionale. 
Specializzata in vernici e soluzioni per la decorazione d’interni, Cap Arreghini lancia Archipalette, un nuovo progetto a supporto dei professionisti del colore, architetti e interior designer.


INFINITE COMBINAZIONI

Archipalette si presenta in una selezione di 110 tinte, classificate con cura in una scala composta da tinte neutre e classiche e da toni profondi e desaturati, in perfetta sintonia con gli stili dell’interior design più attuali. L’uso di toni diversi si basa su tre principali schemi di colore: monocromatico, coordinato e di contrasto

Archipalette AP054-AP050

INFINITE COMBINAZIONI

L’azienda, specializzata in vernici e soluzioni per la decorazione, lancia un nuovo progetto a supporto dei professionisti del colore, architetti e interior designer. Comprende oltre un centinaio di tinte, classificate in una scala studiata ad hoc per gli ambienti interni questo modo è possibile creare infinite combinazioni gradevoli e versatili, in grado di generare emozioni. Con Archipalette, Cap Arreghini rafforza la sua posizione a fianco dei professionisti del design e della decorazione, garantendo uno sviluppo costante della propria gamma prodotti per soddisfare le esigenze contemporanee dell’interior design.

 

DUE DIVERSE LETTURE

Ma come si legge Archipalette? Ogni colonna della palette rappresenta un piano tinta sino ad arrivare a 110 colorazioni derivate. Per creare gli abbinamenti è possibile scegliere due colori della stessa colonna, ottenendo un abbinamento tono su tono (lettura verticale), oppure scegliere colori nella stessa riga ottenendo armonici contrasti cromatici (lettura orizzontale).

Archipalette lettura orizzontale
                             
Archipalette lettura verticale

Le 110 tinte contenute in Archipalette sono riproducibili con gli smalti murali della linea K81 e con le idropitture da interno della linea Ecolora di Cap Arreghini.

 

Sfoglia il catalogo per scoprire la gamma

 

Partners news

TUTORIAL 2: Revit family – The 3D BIM furniture project in the project.

Guide to inserting a furniture family within an architectural project

 

 Revit family 

In this tutorial, we will continue to study the relationship between the parameters of the Revit family used as an example, the "Solo S62" chair and their operation within an architectural project.


Remember that the creation of the BIM object, commonly called families in Revit is essential for the completion of 3D BIM models and for their proper operation.


BIM objects are commonly searched on the Internet for inclusion in a design environment such as Revit Families without being in any way modified and often ignore the fundamental characteristics, how they were made, with which parameters, what purposes they must meet and what is the potential for interaction with 3D model under construction.


Differently from what happens with an Autocad “.dwg” File or a".ifc" File, a ".rfa" file (Revit BIM Families are ".rfa" files, Revit BIM Projects are ".rvt" files), when a "BIM Family" object is added to a project 3D Parametric Model, the latter is enriched with all the information contained within the inserted object that can, therefore, be interrogated, edited, accounted for, etc.


They are interior design objects such as chairs, tables, armchairs, and sofas, or real architectural models such as doors, windows, textures, and coatings etc. and, therefore, we need to know its characteristics to better exploit its potential and integration with the main BIM model that hosts them.


In the previous tutorial we focused on the operation of the Material and finishes types of parameters, we will now see how other parameters present in our furniture object have been created and how to use them in our project BIM environment.


In particular, we will focus on the "Identity Data" Parameter Type.

pic 1

                                                                                                            Revit -  family parameters – identity data

This information, generally provided by the manufacturer of the furniture item, can be very useful to, for example, compile furniture abacuses or view the features within the project layout. 


First, let's see how to create a new parameter:


-    Click on the “new parameter” icon; enter the name of the new parameter to be assigned to the family (for example, “Finish”);
-    From the "Discipline" drop-down menu select “Common”;
-    From the "Parameter Type" drop-down menu, select “Text”;
-    From the "Group parameter in" drop-down menu, select "Identity Data”.

pic2

                                                                                                                 Revit -  family parameters – identity data 2

We have now created a new BIM Family parameter within the "Data Identity" type to which we will associate a corresponding value, for example, "Leather and brushed aluminium" taken from the manufacturer's specific Interior Design catalogue.


All "Identity Data" parameters of the downloaded Revit Family were created in a similar way.


Now we will see how this information can be exploited in a BIM project environment.


Suppose you need to set up a furniture solution within an already prepared 3D BIM model by uploading our 3D Object and positioning it in a plan view inside a room already labelled as such, for example, a "living room".


From the “Create” menu, select “Load into project” and use the mouse to place the chair inside the room chosen.

pic3

                                                                                                                Revit – furniture family – adding to your project

Key note

Now we have the furniture BIM object inside a Revit project environment and we can verify the characteristics by simply selecting it as has been done before, and the information contained inside it, its parameters, can be interrogated and retrieved to properly itemize a furniture project through notes or creating specific abacuses.


Let's now see how to display an indication of findings. 


The easiest way is to assign a label to the piece of furniture through the use of the key note.


In a design environment, in “Note” found in the "Key note" drop-down menu, select the "Element key note" and then select our chair.

pic4

                                                                                                                           Revit – furniture family – keynote

Graphically you will see a note, which exactly refers to the "Key note" parameter text contained inside the selected Furniture family. 


To verify this, select the Interior Design object, from the properties bar select "Edit type" and the menu of the properties of the imported 3D family type will open.

pic5

                                                                                                                           Revit – furniture family – Keynote 2

This is an example of how, in addition to performing a graph completion function, in this case of furniture, a Revit family contains a series of information and functions that allow to interact with the project 3D model that is intended to host it.


These parameters, which we have previously defined as the performance output of the Revit family, they can be retrieved at any time and in a different manner depending on the design requirements and within a BIM 3D Project.


Now we complete a furniture solution by downloading and inserting further Design objects such as:
-    A table;
-    One or more sofa elements; 
-    A chaise longue; 
Etc.


We place families, elements of interior design inside the furniture project and, like before, we assign a label to the BIM object by using the key note.

pic6

                                                                                                                               Revit – furniture family – Keynote 3


Similarly to what was seen previously for the "chair" furniture item, we now have a note for the "sofa", "table" and "chaise longue" that exactly retrieves the text of the "Key note" parameter contained in the Furniture family.  

Furniture abacus

Nel caso volessimo arricchire il nostro layout architettonico con ulteriori informazioni sugli elementi d’arredo, senza troppo appesantire la veste grafica è consigliato usare un abaco.

An abacus should be used if we want to enrich our architectural layout with additional information about the furniture items, but without weighing down the graphics.


Revit abacuses work like masks that contain and retrieve the parameters of the entire BM 3D model and, therefore, it is possible and in a very effective way to build one or more abacuses of furnishings that contain much more information on the furniture elements that can be added to an Architectural project.


In the project Browser, right-click on “Abacuses/Quantities” and select “New abacus/quantity
 

pic7

                                                                                                                                                  Furniture abacus - creation

Select "Furniture" from the next drop-down-menu

pic8

                                                                                                                                                Furniture abacus - creation 2

The new mask that appears is the interface for creating the furniture abacus that we are setting.


On the left column we see the selectable fields, on the right we see the fields that we want to add to our table. These fields are the relationship between the parameters that exist within revit families and their reference (field) inside of the architectural project.


Proceed by entering only the “fields” needed to describe the individual Interior Design objects that make up our furnishing project. To help us correctly fill in the abacus, repeat what was done before, select one of the objects and with "Edit type" check which parameters are contained within the Revit families that we want to of Revit, and that we want to retrieve in our abacus. 

pic9

                                                                                                                                              Furniture abacus - creation 3

Select the following fields in the left column and with the green arrow add to the abacus (the red arrow removes the field from the abacus):
-    Key note;
-    Description;
-    Manufacturer;
-    Cost;
-    URL;
-    Model;
-    Image.

pic10

                                                                                                                                                Furniture abacus - creation 4

The abacus that is generated is a new view inside the project Browser and is presented as a table the columns and rows of which contain all the elements recognized as “Furniture” within the BIM Model.


The first field, “Key note” retrieves exactly what was viewed before within the plan view of the Architectural project, the other fields retrieves all the specific information (parameters) that have been retrieved.  However, note how there are two fields with no information whatsoever, which are the “Cost” and "Image" fields.


In relation to the first, which is useful to estimate, and give immediate visual feedback of the cost of each item, we simply need to change each Furnishing family by adding a cost for each; returning to the plan view, select each individual interior design object with "Edit type" enter in the Revit family type properties and add an estimate or cost from the catalogue (the values inserted are purely indicative). 
 

pic11

                                                                                                                                                  Furniture abacus - creation 5

The furniture abacus is now updated with the costs of the individual furniture items.

pic12

                                                                                                                                                 Furniture abacus – creation 6

In order to improve the graphics of the abacus, a preview of the furniture elements included in the Architectural project could be useful.


To do this you need to upload images (that can be downloaded at the same URLs) from the "Insert", "Manage images", "Add" menu from the manage tab that appears.

pic13

                                                                                                                                    Furniture abacus – managing images 1

By returning to the "Furniture abacus" screen, it is possible to connect each Interior Design Element to its preview image by selecting the corresponding cell. Again the "Manage images" selecting will be displayed, select the image of the corresponding Furnishing and repeat the operation for all other chairs, tables, sofas, chaise longues found in the Architectural project.

 

pic14

                                                                                                                                Furniture abacus - managing images 2

Now the furniture abacus has all preview images loaded.
To view them you need to, drag the “Furniture abacus" view inside a project table.

pic15

                                                                                                                  Furniture abacus - insertion into a project table

Tutorial

DuPont™ Corian® lights up the architectural face of the City of London

05 February 2019

Taking the place of a run-down office building in the heart of the City of London, the striking new “Motel One” building by “Mackay + Partners” features ground-breaking use of DuPont™ Corian® high-tech surface as an illuminated façade. Offering a welcome new four star facility to the area, the latest Motel One operation hosts 291 bedrooms and is now open for business. The building comprises two forms: a seven storey “decorative cube” fronting the street and a sixteen storey glass tower to the rear. Designed by Mackay + Partners for developers Endurance Land & Scottish Widows Investment Partnership, it brings a bright and a fresh new identity and a directional aesthetic vision to the area. The concept enjoyed full support from the City of London planning department who were happy to explore the choice of DuPont™ Corian® as the exterior cladding material, as opposed to the more typical specifications of steel, glass or stone.

DuPont_Corian_MotelOne_morning

“The design is entirely contemporary, yet fully responsive to its current and known future context,” says Ken Mackay of Mackay + Partners, “I have specified DuPont™ Corian® for other applications and so I am well aware of its properties, but the choice of Corian® to clad this project came about through extensive research and working very closely with DuPont.”

DuPont_Corian_MotelOne

This elegant exterior skin for the new building functions both as a sustainable open-jointed rain screen façade and also as a distinctive design feature. The eye-catching cladding, made from DuPont™ Corian® in a translucent white, presents a pure and simple finish during daylight hours, but at night, backlit designs within certain panels illuminate the structure to dramatic effect. The LED lighting system is on a colour wheel that can be changed via computer controlled dimming and the patterns and hues chosen reflect the Motel One brand. This combination of rain screen cladding with LED lighting is a first for London, according to the architects.

DuPont_Corian_Facade_detail_morning

Mackay + Partners ensured a high standard of sustainability in all aspects of the development, which has achieved a BREEAM excellent energy rating. Key to this was the design of a façade with excellent thermal performance (and just 35% glazing) plus the specification of heat recovery systems and green roofs to further enhance efficiency and mitigate rainwater run-off.

DuPont_Corian_Facade_detail

Gwyn Richards of the City of London comments: “The building’s vibrant and playful facades demonstrate that new hotel buildings need not have bland, monotonous and repetitive facades. The ground-breaking use of DuPont™ Corian® as a facing material is innovative and convincing, both during the day and also when illuminated at night. The building demonstrates the importance of an ingenious architectural approach being carried through to implementation, in terms of the integrity of the original architectural concept, but also the highest quality of detailing and materials. The building sits comfortably within its surroundings whilst creating a highly compelling work of contemporary architecture which can be proud of its place in the City’s dynamic architectural character.”

DuPont_Corian_Facade

DuPont™ Corian® is proving to be a valuable solution for façade applications in many ways, from design versatility to long term functionality. Completely homogenous and non-porous, it is easy to clean and maintain. It is also fire rated, resistant to graffiti, UV and climatic conditions – and should any damage occur – the material is repairable. DuPont™ Corian® is compatible with a ‘secret’ fix undercut anchor system and its lightweight, workable properties are a further benefit to both fabrication and installation. DuPont™ Corian® also offers the broadest range of international certification for facade applications among solid surfaces and has passed a series of fundamental tests for its application to the exterior of buildings. These include freeze/thaw cycling resistance, standards proving the material’s resistance to exterior environmental substances, fire performance tests, and tests for abuse resistance.

DuPont_Corian_Facade_MotelOne

Carlo Bardelli

Facades

L'arte è sacra. Soprattutto l'architettura

12 Dicembre 2018

Il rinnovato impulso all'edilizia liturgica, la sostenibilità delle chiese nel contesto urbano e le proprietà miracolose del gres porcellanato. "Dio è nei dettagli" , come disse l'architetto tedesco Ludwig Mies van der Rohe, uno dei maestri del Movimento Moderno. Mai espressione fu più appropriata, se pensiamo all'architettura sacra e all'attenzione prestata ai particolari aspetti tecnici della progettazione, al ruolo sociale di un edificio liturgico e ai significati che un luogo di culto può acquistare una volta inserito nel contesto urbano.  Aspetti tornati fondamentali dopo il Concilio Vaticano II - con figure come il Cardinale Larcaro votate a promuovere una costruzione religiosa costantemente in dialogo con la città - e resi protagonisti del dibattito sull'architettura contemporanea anche per merito delle numerose opere di edilizia religiosa progettate da archistar come Richard Meier, Le Corbusier, Mario Botta, Renzo Piano e Tadao Ando. Ma soprattutto grazie al rinnovato impulso della Conferenza Episcopale Italiana, impegnata a sostenere il settore organizzando concorsi per l'ideazione e realizzazione di nuove chiese: solo nell'ultimoperiodo, oltre al bando di committenza per la diocesi di Mantova sono in via di definizione quelli per Lucca, Monreale e Forlì. L’attivismo dei committenti ecclesiastici è in controtendenza rispetto al generale rallentamento del settore, con un calo complessivo di nuove edificazioni del 44% negli anni dal 2006 al 2012 e una situazione del mercato non residenziale che sta faticosamente provando ad invertire il trend. Una ripresa che sembra basarsi soprattuttosullo sviluppo delle tendenze di sostenibilità ambientale ed urbana, orientamento da sempre caro alla stessa CEI. Se progettazione green e riqualificazione sono il futuro possibile dell’architettura, l’edilizia sacra si pone “per vocazione” nel solco di quella “ecologia umana” alla quale sovente hanno fatto riferimento anche gli ultimi pontificati:l’attenzione all’efficienza energetica dell’edificio, la selezione accurata di materiali non pericolosi per la salute, la scelta di sistemi costruttivi che favoriscano l’esposizione solare delle strutture di culto e di impianti tecnologicamente all'avanguardia. Gli esempi virtuosi non mancano, dalle oltre 700 chiese tedesche con pannelli fotovoltaici installati sul tetto al Sacro Cuore Immacolato di Maria a Brembo di Dalmine (Bergamo), dove i progettisti dello studio Pbeb hanno realizzato una chiesa all’interno di una fabbrica in disuso. Un edificio liturgico sempre meno connotato dal carattere di monumento e sempre più da quello di architettura con precise caratteristiche funzionali, come ad esempio accessibilità universale e sicurezza. Oltre a rispettare l’equilibrio con l’ambiente circostante, sia esso paesaggio o tessuto urbano. In particolare, la maggior parte delle costruzioni religiose in grado di proporre un linguaggio contemporaneo associanol’innovazione di forme e materiali alla riconoscibilità di un luogo dedicato alla spiritualità, cardine dell’identità locale e punto di riferimento per il contesto sociale di appartenenza.  L’ecosostenibilità è pertanto il principale obiettivo di un’architettura sacra che mira ad esprimere il concetto di comunità, attraverso l’utilizzo di materiali green che rappresentano la sintesi di estetica contemporanea e qualità funzionale. A proposito dei materiali, la ceramica è storicamente una soluzione molto utilizzata per la realizzazione di edifici religiosi, per il rivestimento di pareti interne o nel caso della decorazione di cupole e colonnati. Un ruolo di primo piano ribadito oggi dal gres porcellanato, con le sue proprietà "miracolose" quanto ad adattabilità a diversi cromatismi e spazi di dimensioni variabili grazie alla disponibilità di formati e spessori differenti. Queste proprietà, assieme all'eliminazione degli smalti, permettono l'impiego del materiale sia in esterno che in interno, come nel caso del gres porcellanato firmato DSG Ceramiche e scelto dagli studi associati Itinera e Itaca Architetti per il progetto proposto al concorso per la parrocchia di Santa Maria del Carmine (Napoli) indetto dall'Arcidiocesi di Sorrento-Castellamare di Stabia. I prodotti DSG che nello specifico sono stati selezionati per l'eventuale realizzazione di questa struttura ecclesiastica sono Luserna e Basaltina, entrambi nella versione bocciardata: lastre di gres porcellanato che resistono all'abrasione, con coefficiente di attrito R11 perfettamente idoneo all'uso ad alto traffico ed effetto pietra ideale per valorizzare le estensioni più vaste. Un dettaglio estetico fondamentale per la resa di un basamento unico che, nelle intenzioni dei progettisti, ha visivamente origine dalla croce all'interno della chiesa e raggiunge l'esterno della costruzione percorrendone per intero il perimetro e componendosi nel sagrato in un sedile che offresimbolicamente accoglienza. La relazione inscindibile fra vita quotidiana dei credenti e liturgia viene infatti richiamata dai principi cui si è ispirato il progetto ed è rappresentata da una pavimentazione che, a livello visivo, elimina qualsiasi soluzione di continuità tra le varie parti dell’architettura sacra.  Tornando alle citazioni, e specialmente a un altro prestigioso rappresentante del Movimento Moderno come Le Corbusier, "L'architettura è il gioco sapiente, rigoroso e magnifico dei volumi raggruppati sotto la luce". Una luce che, in certi casi più di altri, può davvero dirsi di origine divina.

Qui sono disponibili le texture 3D di DSG.

Marco Mignatti

Architecture

TUTORIAL 3: Revit family – the abacus of furniture in the project

Guide for the creation of a "furniture abacus" view to be included within an architectural project 

 

Revit family

In this tutorial, we will continue to study the relationship between the parameters of the Revit family used as an example, the "Solo S62" chair and how they work within an architectural project.


Remember that the creation of BIM objects commonly called families in Revit is essential for the completion of 3D BIM models and their proper functioning.


The BIM Objects are commonly searched for on the Internet so that they can be included in a Revit design environment as Families without being modified in any way and will often ignore the fundamental characteristics, how they were made, with what parameters, what purposes they must fulfil, and what is the potential interaction with the 3D Model in construction.


Differently from what happens with a “.dwg” file in Autocad, or a “.ifc” file, a “.rfa” file (the Revit BIM Families are ".rfa" files, Revit BIM Projects  are ".rvt" files), when a "BIM Family" object is inserted in a Design Parametric 3D Model, the latter is enriched with all the information contained in the inserted object that can, therefore, be interrogated, edited, accounted for, etc.


They are interior design objects such as Chairs, tables, armchairs, and sofas, or real architectural models like doors, windows, textures, and coatings, etc. and, therefore, we need to know their characteristics to exploit better the potential and integration with the main BIM model that hosts them.


In the previous tutorial we saw how, in addition to performing a graphic completion function, a Revit family contains a series of information and functions that allow it to interact with the 3D model of the project that is intended to host it, these parameters, which we have previously defined as the output performance of the Revit family, may be retrieved at any time and in a different manner depending on the design requirements and within a BIM 3D project.


In particular, we have obtained a “Furniture abacus" that can be inserted into a project table containing a lot of information on the furniture items included in the BIM model.

tutorial 3 pic 1

                                                                                    Revit - furniture abacus – adding it to the project table

Furniture abacus

Now we will discuss the relationship between the parameters that exist within Revit families, and their retrieval (field) inside the architectural project graphically represented by the abacus.


We need to remember that Revit abacuses work like masks that contain and retrieve within them the parameters not only of some parametric families imported into the project but of the entire BIM 3D model, and therefore it is possible to combine and graphically retrieve fields that put into related parameters belonging to different objects.


The most immediate example that can be made in this regard is the compilation of an abacus, which in addition to providing a list of furnishings found throughout the model, provides more accurate and up-to-date information of the architectural design environment in which each specific furniture element is inserted.


A classical breakdown of furniture per room.
To do this, we need to complete the furniture by downloading and putting into distinct rooms further Design objects such as:
-    a bed; an armchair
-    a table
-    a chair; etc.


We place families, interior design elements, in the furniture project into distinct rooms such as the Living Room, Kitchen, and Bedroom, and give the BIM object a label by using the key note.

tutorial 3 pic 2

                                                                                                                         Furniture project – breakdown of rooms

As done previously, our furniture abacus is updated automatically.


We connect the new Interior Design Elements to their preview image by selecting the corresponding cell. The "Manage images" selector is displayed, select the image of the corresponding furniture and repeat the operation for any other new furnishing object present in the Architectural project.

tutorial 3 pic 3

                                                                                                       Furniture abacus - managing the preview image

Returning to our project table, we will have a view of the updated abacus.

tutorial 3 pic 4

                                                                                                     Furniture abacus - adding to project 1 table

Now, to group the furniture into rooms, different categories compared to those so far displayed need to be entered into the abacus using the same procedure.


Returning to the Abacus view of the furniture that can be selected in the project browsers, select "Fields" from the property bar of the screen and then select Room in the available fields of the property mask

tutorial 3 pic 5

                                                                                                          Furniture abacus - inserting Room fields

In this way, the fields are now selectable for the enrichment of our abacus furniture can be taken also from the Local category, this means that our new table will be composed by the fields that belong to the elements of the model different, but that interact between them.


Therefore, we can retrieve information from parameters of different elements into a single abacus.


Therefore, we add the following fields from the selector:
-    Room: Name
-    Room: Number
-    Room: Floor

tutorial 3 pic 6

                                                                                                               Furniture abacus - inserting Room 2 fields

We check the obtained result in the project table.

tutorial 3 pic 7

                                                                                                                Furniture abacus - inserting Room 3 fields

As we can see each object contains, in addition to the information that retrieves the parameters inherent in the imported family, even where the same is located inside the project and, more precisely, the name and number of the room hosting the object and the building floor (level) where it is inserted.


In a similar way to what has been done up to now, you can insert additional fields and cross-reference to other parameters.


You can also intervene to sort/group the abacus to make it more readable, and, in particular, to eliminate the repetition of items.


From the properties menu of the “Furniture abacus" menu, sort by "key note" and uncheck the “List all instances”.

tutorial 3 pic 8

                                                                                                                          Furniture abacus - sorting/grouping

In this way, we obtain a cleaner table view without repetitions of images.

tutorial 3 pic 9

                                                                                                                      Furniture abacus - sorting/grouping 2

Shifting, filtering, or formatting repetitive or unnecessary fields can further refine the abacus.


For example, you can hide the key note field (column) since the same information is repeated and grouped together in the footer of each row, by selecting “Format” from the Properties menu of the Abacus and then approve the “Hidden field” for the “Key note”.

tutorial 3 pic 10

                                                                                                                                  Furniture abacus - formatting

Now the furniture abacus has a clear and legible graphic look that is free of repetitive fields and with clear information. 


We note that every element of the furniture is grouped, counted and added to the “key note" field. 

tutorial 3 pic 11

                                                                                                                             Furniture abacus - sorting/grouping 3

In fact, the “Mirto Indoor – IM58” chair model is present for No. 6 units, all on the ground floor, and more precisely in the kitchen.


While the “Only – S62” chair is present for No. 4 units on the ground floor but inside the living room.


Now let's try and move some of these items on other floors or the rooms of the project to verify that the abacus works properly.


For example, we place two other Mirto chairs on the first floor and another Solo chair in the kitchen on the ground floor.

tutorial 3 pic 12

                                                                                                              Furniture project – the breakdown of rooms 2

We verify to see if our Furniture Abacus has changed again n the project table.

tutorial 3 pic 13

                                                                                                                     Furniture abacus - sorting/grouping 4

We now have a double row for the "Mirto indoor – M58" chair that is divided into the kitchen on the ground floor (No. 6 chairs) and hallway on the first floor (No. 2 chairs).


As for the “Only – S62” chair, we correctly have No. 1 unit in the kitchen and No. 4 units in the living room all on the ground floor. 
We can say that the abacus is set up correctly and working.


In order to always have the cost of our furniture project under control, it is useful to add the sum of the costs of the individual items.


In the formatting field the calculation of the totals for each field can be easily applied; by applying to that of the costs we can see the price for the single item and the total estimate of our furnishing project at the same time.
 

tutorial 3 pic 14

                                                                                                                                    Furniture abacus – formatting 2

The changes made so far are just an example of how a Furniture abacus can be made. The result is only an example; there are many possibilities to combine the properties of the abacus to display the information according to the project needs.

tutorial 3 pic 15

                                                                                                       Furniture abacus - adding to project 2 table

It is a good practice to generate an abacus that contains all fields needed to present your project, then to duplicate it into multiple views and to each of them apply the various display rules.
 

Tutorial

LB BETWEEN CIRCULAR ECONOMY AND DESIGN – INVITATION TO OPEN HOUSE 2019

Also this year, in the occasion of CERSAIE, LB opens the doors to its partners to show the last results of the continuous activity of "Research and Development" on the new technologies as well as on the finished product.

The focus of the event will be the circular economy thanks to which LB grants to its customers to:

/ Rationalize and simplify the production processes;

/ Simplify the plants’ layout and make its use and maintenance easier;

/ Save energy and care for the environment;

/ Reduce costs in handling and managing.

The above, in the usual spirit of innovation and quality.

Furthermore, in settings created by Arch. Marta Meda from Milan, LB will display the new collections of porcelain tiles available in various dimensions, from the “sampietrino” cube 10x10 to the big slab 3200x1600 mm. 

We are going to face days of enjoyable meetings and exchange of info useful for the protagonists of the ceramic world.

An appointment not to be missed to remain "ahead" and create together the future of the industry.

 

More info: www.lb-technology.it/

 

Partners news